A fortifying affirmation of human endurance in the face of our dire climate prognosis.
A woman braves a waterlogged world to find her daughter in this dystopian adventure novel.
More than a century in the future, when the coasts and the cities along them have been completely flooded and countries have been “cut to half their size” by the ocean, raider ships prowl the seas creating new colonies by separating families, seizing property, and brutally murdering anyone who resists. Myra and her younger daughter Pearl, however, are just trying to get by: They live on a boat and barter their fishing hauls at trading posts for valuable supplies. “I don’t join groups and I don’t care about resistance,” Myra tells a friend. She learns that her older daughter, Row, who was taken by Myra’s husband seven years prior when Nebraska finally flooded, might still be alive—but to reach her, she must make a treacherous voyage north to a raider colony known as the Valley near what used to be Greenland, an iceberg-dotted journey impossible in her too-small boat. But when Myra and Pearl join a ship called the Sedna, led by a charismatic but troubled man named Abran whose goal is to found a new settlement untouched by the violence of raiders, Myra suddenly faces a new set of problems she’s unaccustomed to handling. How can she justify changing the Sedna’s course for her own ends as the bonds she forms with the crew deepen? How can she fulfill her responsibilities to both her missing daughter and the daughter she still has? And can she manage to lay down her fundamental distrust in a world where everyone has his or her own objective? Debut novelist Montag manages to marry page-turning drama and emotional depth, vividly imagining a world where society rebuilds itself from scratch and history repeats, where bubonic plague flares up again and rope and sailcloth and antibiotics are all coveted goods, and where everyone is moving on in some way from insurmountable loss. “I keep thinking it feels like climbing a staircase while looking down,” one woman tells Myra about losing her children. “You won’t forget where you’ve been, but you’ve got to keep rising. It all gets further away, but it’s all still there”.
A fortifying affirmation of human endurance in the face of our dire climate prognosis.Pub Date: Sept. 10, 2019
ISBN: 978-0-06-288936-2
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
