The personal touches—the relationships between characters—make this fantasy stand out and give a shade more meaning to...
Ross (The Midnight Sea, 2016, etc.) continues the epic tale of a young woman determined to find justice amid the chaos of an empire beset by undead dangers and corruption.
In the first novel of the Fourth Element series, Nazafareen, a brave, young woman who’s a member of the empire’s elite fighting force called the Water Dogs, and Darius, her powerful daeva (a bound demon who kills the undead), were accused of treason and imprisoned. With help, they managed to escape. In this second installment, they now seek the Prophet Zarathustra, long believed to be dead. If they can find him in time, they just might save the city of Persepolae and, with it, Darius’ mother, long held captive by its king. If they are very lucky, the prophet might also reveal the meaning behind the strange power growing within Nazafareen. It will be no easy task, however. The necromancer Balthazar also seeks the prophet, at the behest of his Undead Queen, Neblis. Meanwhile, King Alexander marches across the lands, waging war. The fates of both humans and Immortals are at stake, but if Nazafareen and Darius can’t convince them to unite—in spite of centuries of slavery, abuse, and resentment—then they all might die at the hands of Neblis and her armies of undead Druj. The stakes have risen in this sequel, but personal connections are still the heart of the story, from Darius’ relationship with his mother to the tragic tale of spurned lovers that set dark events in motion ages ago. Ironically, although the events in this book are more epic than those in the previous one, the personal moments shine through more clearly, perhaps because the links between these world-shaking occurrences and the individual grudges that started them are brought more into the light. It’s always refreshing to enjoy a story where well-drawn characters are so central to the events of the plot rather than feeling tacked on. The one disappointing note is that the villains of the piece are not getting as much attention in terms of motivation, which makes them less convincing and less interesting.
The personal touches—the relationships between characters—make this fantasy stand out and give a shade more meaning to monumental events than is usually found in the genre.Pub Date: Sept. 12, 2016
ISBN: N/A
Page Count: 289
Publisher: Acorn Publishing
Review Posted Online: Aug. 18, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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