A historical fantasy that crackles with electricity.
A powerful amnesiac must escape her captors to search for her past.
In this fantasy, Nazafareen, “a mortal with da?va blood and the ability to shatter magic,” is being held in Nocturne, a realm of perpetual night. Her right hand is missing, and she remembers virtually nothing of her past, which is how the element-wielding da?vas like it. She’s closest with Darius of House Dessarian, who carried her through the Dominion gate after her magic-nullifying powers overloaded. The elementals keep Nazafareen hidden from the Valkirin, another clan, who want her dead. She’d prefer the truth about her past, however, to remaining an outcast among the da?vas. When a Valkirin messenger arrives from the Val Moraine holdfast, she learns that she must surrender or risk creating a war between da?va clans. Meanwhile, at Val Moraine, a fallen warrior named Culach, blind and covered in severe burns, convalesces. He’s cared for by Mina, a Dessarian hostage whom he despises. Back in Nocturne, a flying machine made from ropes and fabric crashes, delivering an emissary from the mortal realm of Samarqand. As the visitor, Javid, discusses economic backchannels with Lady Tethys, Nazafareen plans her escape via airship. Unfortunately, Culach’s father, Eirik, hopes to strike a mortal blow at House Dessarian and eliminate the “abomination” it protects. In this series opener, Ross (The Thirteenth Gate, 2017, etc.) returns to the alternate ancient Persia of her Fourth Element trilogy and offers a spoiler-free reintroduction of her characters and their intertwined backstories. The author’s excitement and clarity of vision should impress those who’ve never read her before. The narrative’s magical components never overshadow the players and their struggles (Lady Tethys tells Nazafareen, regarding her amnesia, “Some people might see it as a gift. A chance to start life anew”). And the characters newly taking shape are thrilling to behold. The chimeras, for example, are “bound together by air and thus translucent except for the blood coursing through...delicately branching veins and occasional clots of darker matter.” Layered subplots featuring Culach, Mina, and Javid provide an embarrassment of riches. The finale primes audiences to learn about the legendary Vatras, who did what other elementals can’t—control fire.
A historical fantasy that crackles with electricity.Pub Date: Dec. 21, 2017
ISBN: 978-0-9990481-0-8
Page Count: 340
Publisher: Acorn
Review Posted Online: July 24, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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