A spellbinding fantasy with some moral weight and a meatier narrative than usual, one likely to leave readers quite...
Ross (Some Fine Day, 2015, etc.) conjures an epic of demons and daevas, family, loss, and the turmoil of a kingdom in peril in her second novel.
Nazafareen and her sister, Ashraf, are crossing a frozen mountain range when a wight attacks and takes possession of Ashraf’s body. The experience drives Nazafareen to join the Water Dogs, an elite fighting force that defends the Empire against the incursions of the demonic undead—Druj—by using bound demons, or daevas, against them. These warriors “champion the innocent, protect the powerless, punish the wicked.” Nazafareen’s daeva, Darius, is uncommonly powerful, and the bond they share, both magical and empathic, is at times overwhelming (at one point, Nazafareen muses: “I knew right away where Darius was and what he was doing. It was another side effect of the bond, I’d discovered. I could feel his heart beating…I could shut my eyes and tell you exactly where he was, even if he was hundreds of leagues away”). That connection will be sorely tested, as they race to stop a madman from breaking the chains of every bound demon in the Empire—possibly destroying the kingdom in the process. Nazafareen’s faith will also be tested—faith in herself, her bond with Darius, and the Empire that has long justified the enslavement and mutilation of sentient beings for its own defense. To cap it all off, ancient evil and new ambition are rising to threaten the Empire. This tale’s grand scope is set off beautifully by its intimate start. The story grows wonderfully from such a small seed, and it is the moral and subjective implications of the vastness and impersonality of the Empire that work so well to drive the narrative. The plot builds effectively, and maintains a swift pace. Nazafareen’s initial simplistic motivation, hatred, becomes complicated by her link to Darius, and evolves into something much more intriguing and complex. This transition is helped by the clarity with which the characters are drawn. The immensity of the Empire occasionally threatens to smother the personal tale at the heart of the story, but, like shadows around a candle flame, it never quite manages that feat.
A spellbinding fantasy with some moral weight and a meatier narrative than usual, one likely to leave readers quite satisfied.Pub Date: March 26, 2016
ISBN: 978-0-9972362-1-7
Page Count: 332
Publisher: Acorn Publishing
Review Posted Online: Aug. 1, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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