A spellbinding fantasy with some moral weight and a meatier narrative than usual, one likely to leave readers quite...
Ross (Some Fine Day, 2015, etc.) conjures an epic of demons and daevas, family, loss, and the turmoil of a kingdom in peril in her second novel.
Nazafareen and her sister, Ashraf, are crossing a frozen mountain range when a wight attacks and takes possession of Ashraf’s body. The experience drives Nazafareen to join the Water Dogs, an elite fighting force that defends the Empire against the incursions of the demonic undead—Druj—by using bound demons, or daevas, against them. These warriors “champion the innocent, protect the powerless, punish the wicked.” Nazafareen’s daeva, Darius, is uncommonly powerful, and the bond they share, both magical and empathic, is at times overwhelming (at one point, Nazafareen muses: “I knew right away where Darius was and what he was doing. It was another side effect of the bond, I’d discovered. I could feel his heart beating…I could shut my eyes and tell you exactly where he was, even if he was hundreds of leagues away”). That connection will be sorely tested, as they race to stop a madman from breaking the chains of every bound demon in the Empire—possibly destroying the kingdom in the process. Nazafareen’s faith will also be tested—faith in herself, her bond with Darius, and the Empire that has long justified the enslavement and mutilation of sentient beings for its own defense. To cap it all off, ancient evil and new ambition are rising to threaten the Empire. This tale’s grand scope is set off beautifully by its intimate start. The story grows wonderfully from such a small seed, and it is the moral and subjective implications of the vastness and impersonality of the Empire that work so well to drive the narrative. The plot builds effectively, and maintains a swift pace. Nazafareen’s initial simplistic motivation, hatred, becomes complicated by her link to Darius, and evolves into something much more intriguing and complex. This transition is helped by the clarity with which the characters are drawn. The immensity of the Empire occasionally threatens to smother the personal tale at the heart of the story, but, like shadows around a candle flame, it never quite manages that feat.
A spellbinding fantasy with some moral weight and a meatier narrative than usual, one likely to leave readers quite satisfied.Pub Date: March 26, 2016
ISBN: 978-0-9972362-1-7
Page Count: 332
Publisher: Acorn Publishing
Review Posted Online: Aug. 1, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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