An expertly paced, moving exploration of grief and responsibility and an eloquent portrait of a small town struggling with...
A small-town family, torn apart by tragedy, must find a way to overcome their grievances when they face a common threat in Brandes’ debut novel.
Long before fracking ever came to Minden, Pennsylvania, the fissures in the Pierson family were developing into major fault lines. Brothers Jack and Wade were very young when their mother, Stella, abandoned them and never returned. Their stern father, Steve, is all they have—until Wade shoots him in a freak accident. After a frantic effort to reach out to his mother proves fruitless, Wade leaves town, carrying an understandably heavy burden of remorse. Twenty years on, Jack, who recently separated from his wife, LeeAnn, is an orchardist tending to acres of apple trees and making do in his economically depressed hometown. What the townspeople don’t know is that they could be sitting on vast reserves of Marcellus shale, an abundant source of natural gas. Before long, Green Energy, a fracking company, comes calling and sends in a star salesman with a few local connections: Wade. In response, Jack reaches out to their mom, now called Stella Brantley, who’s an established environmental lawyer, and convinces her that Minden should be the next battleground for pro bono activist work. The scene is set for confrontation: between the two siblings, between them and their mother, and between the small town and a large corporation. Brandes checks off all the boxes for quality fiction: the characters are well-rounded, the settings, such as the apple orchards, the crisp Silver Creek, and the rocky outcrops, are vividly described, and the plot is well-organized and crisply paced. The tension between the characters satisfyingly rises to a crescendo that’s in sync with the larger environmental crisis that threatens the town, although some of the drama feels contrived at times. Readers will hear echoes of author Richard Russo’s small-town stories here, although Brandes works on a smaller, less complex canvas.
An expertly paced, moving exploration of grief and responsibility and an eloquent portrait of a small town struggling with compromise.Pub Date: April 22, 2017
ISBN: 978-1-942545-51-4
Page Count: 272
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: June 1, 2016
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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