An expertly paced, moving exploration of grief and responsibility and an eloquent portrait of a small town struggling with...
A small-town family, torn apart by tragedy, must find a way to overcome their grievances when they face a common threat in Brandes’ debut novel.
Long before fracking ever came to Minden, Pennsylvania, the fissures in the Pierson family were developing into major fault lines. Brothers Jack and Wade were very young when their mother, Stella, abandoned them and never returned. Their stern father, Steve, is all they have—until Wade shoots him in a freak accident. After a frantic effort to reach out to his mother proves fruitless, Wade leaves town, carrying an understandably heavy burden of remorse. Twenty years on, Jack, who recently separated from his wife, LeeAnn, is an orchardist tending to acres of apple trees and making do in his economically depressed hometown. What the townspeople don’t know is that they could be sitting on vast reserves of Marcellus shale, an abundant source of natural gas. Before long, Green Energy, a fracking company, comes calling and sends in a star salesman with a few local connections: Wade. In response, Jack reaches out to their mom, now called Stella Brantley, who’s an established environmental lawyer, and convinces her that Minden should be the next battleground for pro bono activist work. The scene is set for confrontation: between the two siblings, between them and their mother, and between the small town and a large corporation. Brandes checks off all the boxes for quality fiction: the characters are well-rounded, the settings, such as the apple orchards, the crisp Silver Creek, and the rocky outcrops, are vividly described, and the plot is well-organized and crisply paced. The tension between the characters satisfyingly rises to a crescendo that’s in sync with the larger environmental crisis that threatens the town, although some of the drama feels contrived at times. Readers will hear echoes of author Richard Russo’s small-town stories here, although Brandes works on a smaller, less complex canvas.
An expertly paced, moving exploration of grief and responsibility and an eloquent portrait of a small town struggling with compromise.Pub Date: April 22, 2017
ISBN: 978-1-942545-51-4
Page Count: 272
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: June 1, 2016
Review Program: Kirkus Indie
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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