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CHOICES

A fast-paced story that portrays real events to which many teens can easily relate.

A Catholic teenager collides head-on with the doctrine of her youth.

Buckley’s first novel for young adults sets the charged issues of date rape and unwanted pregnancy up against the Catholic faith. Set in Denver, 15-year-old Kara MacNeill narrates the story of her sophomore year in high school, a trying time for most teens, which for Kara proves to hold as many dramatic peaks and valleys as the Rocky Mountains of her native Colorado. The only child of a strict, workaholic father and kind but actively pro-life mother, Kara’s intelligence, good looks and charm help her easily succeed at St. Ursula’s Academy for Girls. But Kara begins to find the confines of her childhood world–“All I ever got to do was go to church, school, or dumb sleepover parties”–a bit too restrictive the night Jake Dodson, the senior basketball star of Cherry Creek High, takes an interest in her. Petrified that her “drill sergeant” father will put the kibosh on her budding relationship, Kara starts to sneak out after curfew to be with Jake, who wastes no time introducing her to his partying crowd. Kara succumbs to peer pressure one raucous night and gets so drunk that, when Jake forces himself upon her, she cannot fend him off. While still reeling from the fact that her first boyfriend has raped her, Kara learns she’s pregnant. This discovery sends her into a free fall; her grades plummet as she questions whether to seek an abortion in a state that requires parental consent, which means Kara will have to tell her conservative parents and risk incurring their–not to mention God’s–wrath. The crux of the story centers on this dilemma and the options open to a teen who feels that she has none. Catholics will find the novel’s resolution as wildly controversial as the subjects it explores, but one suspects that is Buckley’s point.

A fast-paced story that portrays real events to which many teens can easily relate.

Pub Date: April 26, 2007

ISBN: 978-0-595-40926-6

Page Count: 167

Publisher: N/A

Review Posted Online: Jan. 11, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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