A Rabelaisian celebration of appetite, complete with savory recipes, that genuinely satisfies.

BLUE PLATE SPECIAL

AN AUTOBIOGRAPHY OF MY APPETITES

A novelist’s deliciously engrossing exploration of her life through the two major passions that have defined it: food and writing.

For Christensen (The Astral, 2011, etc.), memory and food are inextricably intertwined. Her book begins with the recollection of a violent argument between her parents over an egg-and-toast breakfast. This scene reminded her of not only the simple comforts of her mother’s “blue plate special”–style meals, but also of the troubled dynamic that seemed inherent in male-female relationships. Not long afterward, her mother divorced and took the author and her sisters to Arizona. In this “wild, strange place that was so profoundly different from Berkeley,” Christensen suddenly became aware of “taste and texture, flavor and smell” and began reading as voraciously as she ate. Later, drinking became another source of comfort. In between attending classes at a New York arts high school, Christensen overate, crash dieted, and then wrote about her hunger and her loneliness. She refined both her palate and her cooking abilities during a year spent in France. But it would be comfort food and hard liquor that would comprise many of her meals during the vagabond life she led afterward, first at Reed College and then at the Iowa Writer’s Workshop, where she reignited a childhood passion for food in literature. A few alcohol-soaked, undernourished years later, she met her first husband, who “taught [her] how to enjoy food without guilt or remorse or puritanism,” but with whom she fought constantly. Middle aged and unwilling to try out the “strange new world of hookups and sexting,” she found unexpected love with a man 20 years her junior who fed her soul with the peace she had craved all along.

A Rabelaisian celebration of appetite, complete with savory recipes, that genuinely satisfies.

Pub Date: July 9, 2013

ISBN: 978-0-385-53626-4

Page Count: 368

Publisher: Doubleday

Review Posted Online: April 29, 2013

Kirkus Reviews Issue: May 15, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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