Mercy Watson’s neighbors, the Lincoln Sisters of 52 Deckawoo Drive, return in their second adventure, and now it’s elder sister Eugenia’s turn in the spotlight.
Eugenia Lincoln is a sensible, no-nonsense, practical person. She does not have time for “poetry, geegaws, whoop-de-whoops, or frivolity,” and she definitely does not have time for oversize, unexpected packages. However, someone has sent Eugenia just that. It’s an accordion, and it has to go—she can’t think of anything more “frivolous, more geegaw-esque, more whoop-de-whoop-ish than an accordion.” The Blizzintrap Schmocker Company won’t take it back, so she makes a list of the choices before her: sell it, destroy it, or give it away. Can Eugenia be convinced to keep it—and that maybe there is music in her heart? Artwork shows what the text doesn’t: elderly Eugenia’s younger sister, “Baby,” is also an old white woman, and neighborhood kids Frank and Stella are black. The text is peppered with tough vocabulary for the more advanced independent readers in the intended age group, but the story also works well as a bedtime read-aloud for those not ready to tackle words and phrases such as “malevolent,” “obtuse,” or “diametrically opposed” on their own.
Eugenia’s need for routine and her intolerance of change and uncertainty will resonate with readers who experience life similarly. (Fiction. 6-9)Pub Date: Oct. 10, 2017
ISBN: 978-0-7636-7881-4
Page Count: 112
Publisher: Candlewick
Review Posted Online: July 17, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Categories: CHILDREN'S FAMILY | CHILDREN'S ENTERTAINMENT & SPORTS
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BOOK REVIEW
BOOK REVIEW
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 28, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Categories: CHILDREN'S FAMILY | CHILDREN'S ENTERTAINMENT & SPORTS
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Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Categories: CHILDREN'S ANIMALS | CHILDREN'S ENTERTAINMENT & SPORTS
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