Eberlen's characters are so real and deserving of love—thankfully it’s safe to root for them both, and root for them you...
Have you ever caught a stranger's eye for a moment too long and wondered, "what if?"
In 1997, 18-year-old Tess and her best friend, Doll, are in Florence, Italy, the summer before Tess is supposed to begin university in London. She first encounters the lanky, disheveled Gus when they both wander inside a quiet church. By chance, Tess and Doll see him again on the Ponte Vecchio, where Gus takes a picture for them—but then they’re gone. That momentary connection is all that binds these two together as life hands them obstacles and heartbreaks separately. Gus must deal with the guilt he feels over his older brother's death in a skiing accident and grabs the chance to reinvent himself at school with a new girlfriend, Lucy, who knows nothing of his past. Tess returns from Italy to the realization that her mother is not only sick, but dying. Who will care for her unusual baby sister, Hope? For Tess, it means forgoing her spot at the same university where Gus is starting over. Debut novelist Eberlen develops two wonderfully distinct storylines, but her characters are carefully connected by proximity and circumstance. It’s as if their shadows are moving in sync from opposite sides of a screen. For readers who like their romance to simmer throughout a story, be warned that Eberlen deals more in missed chances: "In front of me, there was a tall woman with a fidgety little girl in one hand"—if only Tess had turned around. We instead have the pleasure of getting to know Gus and Tess completely before they truly meet each other. It’s a bittersweet moment when their timelines finally converge years later, as there isn’t much time before Eberlen lets the curtain fall. Though at that point it’s already clear: “Sometimes the best things are staring you right in the face, know what I mean?”
Eberlen's characters are so real and deserving of love—thankfully it’s safe to root for them both, and root for them you will.Pub Date: April 4, 2017
ISBN: 978-0-06-246022-6
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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