Forceful and exhilarating.
An alphabet picture book that presents the ideal of a democratic society.
Seeing its standard ABC formula—“A is for…” etc.—and a rhyming text, readers may be inclined to think that nothing substantial is in the offing. They would be wrong. If ever an alphabet book packed a punch, this one is it. Leaving no effort to empower unturned, the text goes from, well, A to Z with an energetic propulsion that will educate readers to become informed, engaged citizens. Exhortations (“Z is for zeal. Please bring yours!”), nods to bastions of a democratic society (“F for a free press to find facts and share”), and celebrations of diversity (“D is for difference—our strength and our beauty”) share space with history (“S is for suffrage”) and critical thinking (“R is for represent. They work for me!”). They all combine to deliver a timely message of citizen empowerment. This lively activist theme is visually echoed by bold, full-color illustrations depicting a diversity of humans whose skin colors range from white to all shades of brown and include, prominently and frequently, a woman in a hijab. The people in the illustrations often face directly forward, engaging—almost confronting—readers. Many historical figures are illustrated, and the backmatter both names them and encourages readers to learn more on their own. Backmatter also gives suggestions to young readers for contributing to voter empowerment and includes a voting rights timeline.
Forceful and exhilarating. (Informational picture book. 5-10)Pub Date: July 21, 2020
ISBN: 978-1-250-23125-3
Page Count: 40
Publisher: Henry Holt
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
PERSPECTIVES
With powerful art from a bold new talent, this is a probing and sensitive take on a devastating chapter of U.S. history.
“How do you tell a story / that starts in Africa / and ends in horror?”
Alexander uses multiple voices to weave this poem about a teacher who takes on the difficult but necessary task of starting a classroom conversation about slavery. Between the theft of people from the African continent and the sale of people in America, from the ships that brought them and the ocean that swallowed some of them to their uncompensated work and the breakup of families, Alexander introduces objections from the implied listeners (“But you can’t sell people,” “That’s not fair”), despair from the narrating adult, encouragement from the youth, and ultimately an answer to the repeated question about how to tell this story. Rising star Coulter’s mixed-media art elevates the lyrical text with clarity and deep emotion: Using sculpted forms and paintings for the historical figures gives them a unique texture and lifelike fullness, while the charcoal drawings on yellow paper used for the present-day student-teacher interactions invite readers to step inside. Where Coulter combines the two, connecting past with present, the effect is stunning. Both young readers and adults unsure of how to talk about this painful past with children will find valuable insights.
With powerful art from a bold new talent, this is a probing and sensitive take on a devastating chapter of U.S. history. (author’s and illustrator’s notes) (Informational picture book. 6-10)Pub Date: Jan. 3, 2023
ISBN: 978-0-316-47312-5
Page Count: 56
Publisher: Little, Brown
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
PERSPECTIVES
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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