Forceful and exhilarating.
An alphabet picture book that presents the ideal of a democratic society.
Seeing its standard ABC formula—“A is for…” etc.—and a rhyming text, readers may be inclined to think that nothing substantial is in the offing. They would be wrong. If ever an alphabet book packed a punch, this one is it. Leaving no effort to empower unturned, the text goes from, well, A to Z with an energetic propulsion that will educate readers to become informed, engaged citizens. Exhortations (“Z is for zeal. Please bring yours!”), nods to bastions of a democratic society (“F for a free press to find facts and share”), and celebrations of diversity (“D is for difference—our strength and our beauty”) share space with history (“S is for suffrage”) and critical thinking (“R is for represent. They work for me!”). They all combine to deliver a timely message of citizen empowerment. This lively activist theme is visually echoed by bold, full-color illustrations depicting a diversity of humans whose skin colors range from white to all shades of brown and include, prominently and frequently, a woman in a hijab. The people in the illustrations often face directly forward, engaging—almost confronting—readers. Many historical figures are illustrated, and the backmatter both names them and encourages readers to learn more on their own. Backmatter also gives suggestions to young readers for contributing to voter empowerment and includes a voting rights timeline.
Forceful and exhilarating. (Informational picture book. 5-10)Pub Date: July 21, 2020
ISBN: 978-1-250-23125-3
Page Count: 40
Publisher: Henry Holt
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
PERSPECTIVES
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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