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DANCES WITH FIRE

LESSONS IN LIVING, FAITH & FIREFIGHTING

A bracing account of a young woman forcing herself to grow up and face difficult challenges.

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Hamberger’s memoir recounts her galvanizing experience as a firefighter during the end of the 20th century.

The author, desperately needing money for college, took a summer job in 1986 as a “hotshot,” a member of an elite mobile crew of forest-firefighters. Hamberger loved being in the forest and found the challenging job helped her gain confidence and get over her shyness. She spent six summers battling blazes throughout the American West and, occasionally, at other locations, such as Florida and Georgia. The author details her experience with the Yellowstone fires of 1988 and the Dude Fire of 1990, which tragically killed six firefighters, authoritatively describing techniques such as creating fire lines and hazards such as hollowed-out trees (called “widow-makers”) that can fall unexpectedly. Even though Hamberger was a natural athlete, running track in high school and rowing crew in college, the training and work she describes was physically grueling for her. She writes of straining to do 200 pushups, carry a 25-pound pack all day, and endure the triple-digit heat. She sums up her firefighting experience as an opportunity in which she “challenged [her]self and was challenged, in return, by the job and the experience ‘growing up’ on hotshot crews.” The author movingly recounts the dangers she faced and discusses how her faith was challenged by the deaths of fellow firefighters. As one of the few women on her crew (occasionally, she was the only woman), Hamberger also struggled to find a balance between maintaining her femininity and being one of the guys, and she writes thoughtfully about her regret over failing to fight for a better working environment for women. While her adventurous summers fighting fires are at the heart of the book, the author also fills in details about her family life, college career, and romantic relationships. (She fails to convey these aspects of her life as insightfully as she does her summer work, and these sections fall a bit flat in comparison.) The text also includes photos documenting her life and experiences.

A bracing account of a young woman forcing herself to grow up and face difficult challenges.

Pub Date: Aug. 15, 2024

ISBN: 9781962845090

Page Count: 341

Publisher: Story Architect

Review Posted Online: Aug. 7, 2024

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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