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DANCES WITH FIRE

LESSONS IN LIVING, FAITH & FIREFIGHTING

A bracing account of a young woman forcing herself to grow up and face difficult challenges.

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Hamberger’s memoir recounts her galvanizing experience as a firefighter during the end of the 20th century.

The author, desperately needing money for college, took a summer job in 1986 as a “hotshot,” a member of an elite mobile crew of forest-firefighters. Hamberger loved being in the forest and found the challenging job helped her gain confidence and get over her shyness. She spent six summers battling blazes throughout the American West and, occasionally, at other locations, such as Florida and Georgia. The author details her experience with the Yellowstone fires of 1988 and the Dude Fire of 1990, which tragically killed six firefighters, authoritatively describing techniques such as creating fire lines and hazards such as hollowed-out trees (called “widow-makers”) that can fall unexpectedly. Even though Hamberger was a natural athlete, running track in high school and rowing crew in college, the training and work she describes was physically grueling for her. She writes of straining to do 200 pushups, carry a 25-pound pack all day, and endure the triple-digit heat. She sums up her firefighting experience as an opportunity in which she “challenged [her]self and was challenged, in return, by the job and the experience ‘growing up’ on hotshot crews.” The author movingly recounts the dangers she faced and discusses how her faith was challenged by the deaths of fellow firefighters. As one of the few women on her crew (occasionally, she was the only woman), Hamberger also struggled to find a balance between maintaining her femininity and being one of the guys, and she writes thoughtfully about her regret over failing to fight for a better working environment for women. While her adventurous summers fighting fires are at the heart of the book, the author also fills in details about her family life, college career, and romantic relationships. (She fails to convey these aspects of her life as insightfully as she does her summer work, and these sections fall a bit flat in comparison.) The text also includes photos documenting her life and experiences.

A bracing account of a young woman forcing herself to grow up and face difficult challenges.

Pub Date: Aug. 15, 2024

ISBN: 9781962845090

Page Count: 341

Publisher: Story Architect

Review Posted Online: Aug. 7, 2024

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WHEN WE SEE YOU AGAIN

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Remembering “Hershy.”

Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Pub Date: April 21, 2026

ISBN: 9798217198009

Page Count: 288

Publisher: Random House

Review Posted Online: April 21, 2026

Kirkus Reviews Issue: June 1, 2026

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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