Readers will have some of the major plot points figured out well in advance of the book’s climax, but Audrey is definitely a...
A feisty protagonist with a dark past that’s not exactly a secret goes back to her roots in Kessler’s new series.
Audrey Harte has her dream job: she’s a criminal psychologist who landed a gig on a popular LA–based television show about homicides involving child perpetrators. But her mother’s birthday is coming up, and Audrey has been summoned back to her hometown of Edgeport, Maine—the place she’s been running from all of her adult life. Things start out as they typically do: Mom asks Audrey to pick up her drunk of a father on her way home. Dad is passed out in the local hot spot, which conveniently belongs to her ex-crush and resident town bad boy, Jake Tripp. But it’s not just Jake and her dad that Audrey finds there. She also finds Maggie Jones, the girl whose father she helped kill when she was a teenager. Maggie’s dad was sexually abusing his daughter when the two young teens murdered him to stop him from raping her. While Maggie went into psychiatric rehabilitation, Audrey was sent to a home for delinquent girls. Now, she finds herself confronting a drunk and out-of-control Maggie in the parking lot, and, after Maggie starts a fight, Audrey pushes her to the ground and drives off. Problem is, the next morning Maggie’s body is found on the beach, and the No. 1 suspect is none other than her old friend Audrey. Kessler’s style is breezy and compelling, but some of her reveals are less than startling. And for someone who is supposed to have a lot of insight into the way people think and act, Audrey is often very slow on the uptake. However, she’s a likable heroine, and between her moxie and sense of humor, she’ll soon become a favorite of those who like their suspense less dark and bleak.
Readers will have some of the major plot points figured out well in advance of the book’s climax, but Audrey is definitely a keeper.Pub Date: April 26, 2016
ISBN: 978-0-316-30250-0
Page Count: 432
Publisher: Redhook/Orbit
Review Posted Online: Feb. 2, 2016
Kirkus Reviews Issue: Feb. 15, 2016
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
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