Introspective and rich with personal revelation.
In her debut memoir, Mayfield (co-author: Ellie Hart Goes to Work, 2005, etc.) mines her 1960s rural Kentucky childhood as the daughter of a charismatic, alcoholic father who earned his living as an undertaker.
"The first time I touched a dead person," writes the author, "I was too short to reach into the casket." Her father lifted her up so she could get closer to the lifeless body, an experience she recalls as a "thrilling...unthinkable act." This dark and sharply detailed memoir follows the activities that took place in the author's Jubilee, Kentucky, girlhood home, which also served as the Mayfield and Son Funeral Home. There, she and her family members were cast as "the ghosts of the house," even as dead bodies came and went. She learned when to be quiet, out of respect for the deceased, and the rituals involved in preparing a corpse for burial. She was also preoccupied with obsessive thoughts about what objects the dead were buried with until, at last, she concluded that the most significant thing they possessed were their secrets. To that end, Mayfield offers up the long-held unspoken truths about her own family. This includes the darker side of her father, who served as his daughter's protector and hero while simultaneously battling his own demons of alcohol and infidelity. The author also explores the underbelly of their small, segregated town, which included suicide and violence and the ensuing familial feuds and grieving. Eventually, as she entered adolescence, Mayfield turned away from idolizing her father. Instead of adhering to the same parameters she had always followed, she longed to be free from the stifling world of the dead in order to live her own life—in this case, in London, where she lives with her British husband.
Introspective and rich with personal revelation.Pub Date: Jan. 13, 2015
ISBN: 978-1476757285
Page Count: 368
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Nov. 10, 2014
Kirkus Reviews Issue: Dec. 1, 2014
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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