A gripping, psychologically nuanced thriller set along the fault lines of a marriage.
A married couple covers up a murder, kicking off an engaging, literary suspense novel.
When Maggie kills an intruder in the home she shares with her husband, Chris, they face a seemingly untenable dilemma. It’s complicated by the fact that she publicly flirted with the murder victim before he began stalking her. Chris, irreparably scarred by events in his past, insists that they can’t trust the police and must conceal the body. But detectives zero in on them almost immediately, arriving at their home to question them the very next day. The ensuing investigation will test Maggie and Chris’ bonds of love and loyalty more than they could have ever imagined. How far will they go to protect each other when the police narrow their investigation further? Debut author Moretti’s prose is taut and elegant, with some passages that are positively lyrical (“[B]efore Maggie, his life had nothing….After, well, after was a love seismograph—sharp, ecstatic peaks and equally deep, despairing valleys, all intermingled with the apathetic flat line of the everyday”). The deft pacing allows time for plot complications to develop while also keeping readers turning pages. The author vividly portrays the sharp sting of infidelity, the abiding ache of infertility and the amorphous discontent of a love past its luster—all while moving the murder investigation swiftly forward. The foreshadowing is so skillful that plot twists feel surprising yet somehow inevitable. Other subtle touches (such as Maggie’s cracking the skull of the intruder with a Lenox vase, a wedding present) will further enhance readers’ pleasure. The dialogue is natural and authentic, and the story builds steadily to a satisfying, emotionally resonant conclusion.
A gripping, psychologically nuanced thriller set along the fault lines of a marriage.Pub Date: March 4, 2014
ISBN: 978-1940215266
Page Count: 306
Publisher: Red Adept Publishing
Review Posted Online: Sept. 4, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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