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THE HOUSE AT RIVERTON

Though the climactic revelation feels contrived, Morton’s characters and their predicaments are affecting, and she recreates...

In Australian author Morton’s atmospheric first novel, a 98-year-old woman recollects her unwitting role in a fatal deception.

Grace, a prominent former archeologist, is living out her waning years in a British nursing home, when an American filmmaker, Ursula, asks her to consult on a movie about the scandalous 1924 suicide of a poet during a lavish soirée at Riverton, a country estate where Grace once served as parlor maid to the Hartford family. Extended flashbacks excavate the mysteries that surround Grace almost from the first. Why did Grace’s mother, herself a servant at Riverton before leaving under a cloud, send her 14-year-old daughter to work there? Who is Grace’s father? The domestic servant is a convenient expository device: Grace can eavesdrop on every Hartford family crisis. Hannah, her sister Emmeline and brother David occasionally visit Riverton, owned by their uncle, Lord Ashbury. Their father, Frederick, the second son, is an automobile pioneer. But World War I upends the destinies of the Hartford clan. David, his schoolmate Robbie and Grace’s heartthrob, Alfred, a footman, all go to fight. David is killed, Robbie drops out of sight and Alfred suffers shell shock. The war also claims the lives of Lord Ashbury and his eldest son, and Frederick inherits the title. Frederick’s business is mortgaged to American bankers, the Luxtons, who force a sale of his factory. To Frederick’s chagrin, Hannah marries Luxton scion Teddy, who, after flirting briefly with bohemian ways, reverts to stodgy banker-hood. Languishing in London while her estranged father lets Riverton decay, Hannah relies increasingly on Grace, now her personal maid. Hannah’s mistaken assumption that Grace knows shorthand leads both to make a tragic error in judgment. Meanwhile, Robbie resurfaces, his psyche scarred by war. Although ostensibly courting Emmeline, Robbie is drawn into an adulterous affair with Hannah that proves his undoing.

Though the climactic revelation feels contrived, Morton’s characters and their predicaments are affecting, and she recreates the period with a sure hand.

Pub Date: April 22, 2008

ISBN: 978-1-4165-5051-8

Page Count: 480

Publisher: Atria

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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