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CAKEWALK

A MEMOIR

A delectable, well-crafted memoir.

Salon.com senior editor Moses (Wintering: A Novel of Sylvia Plath, 2003, etc.) shares an emotive life framed by sugary sweets.

The author grew up in Palo Alto, Calif., in the 1960s, and her mercurial, struggling-artist mother co-dependently bonded amid a male-dominated household. A “compliant, tidy daughter,” Moses recalls sugar being the “mainstay of my diet as a child,” which only amplified her “cake obsession” as an adult. The author recalls fond memories of her San Franciscan relatives, especially her “parsimonious old coot” of a grandfather who demonstrated an uncanny knack for fudge-making and trolling the dump for discarded treasures. Her confident mother subsisted within a “fairly constant thrum of creative emergency,” demonstrated in the crafting of spectacular birthday cakes for her children like three-dimensional bunnies and an elaborate gingerbread Noah's Ark. Though Moses believed her parents to be “disastrously mismatched,” they managed to keep the family unified throughout frequent relocations to various East Coast locales to accommodate her father's job, as well as a move from Virginia to Alaska in 1974 that created significant riffs in her parent's marriage. In the years that followed, the author found contentment in random boyfriends, her college days back in California, a prized editorial job at North Point Press in Berkeley, where she befriended authors like M.F.K. Fisher and Kay Boyle, and in creating a family of her own. Deliberate, sensitive and meticulous, the narrative brims with dense, curiously exacting detail, and each chapter closes with a tempting, uncomplicated recipe.

A delectable, well-crafted memoir.

Pub Date: May 11, 2010

ISBN: 978-0-385-34298-8

Page Count: 368

Publisher: Dial Books

Review Posted Online: Sept. 21, 2010

Kirkus Reviews Issue: March 1, 2010

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Kirkus Reviews'
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  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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