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LABYRINTH

Fun for most of the way—and very likely to be one of next summer’s popular vacation reads.

Dan Brown probably need not move over, but he may have to share the wealth with this well-researched tale, set in both contemporary and 13th-century France (Carcassonne), and featuring two intrepid heroines.

Written by the British literary insider who co-founded the prestigious Orange Prize for Fiction, this is a quickly paced adventure that wears its considerable learning lightly—and of higher literary quality than The Da Vinci Code, to which it will inevitably be compared. Its modern protagonist is 30-ish Alice Tanner, who joins an archaeological dig in the Pyrenees hoping to rev up her uneventful life, and makes an astonishing discovery while exploring a mountainside cave. Two skeletons and a ring bearing a labyrinth design lead, by an agreeably circuitous route, to a mystery related to the story of the Holy Grail, dating back to the culture of ancient Egypt—and attracting various shady characters with vested interests. Meanwhile, in a parallel narrative, teenaged Alaïs, daughter of one of the Grail’s appointed guardians, is entrusted with an invaluable book, one of three that together reveal the Grail’s long-hidden secrets. Further complicating Alaïs’s burden is the fact that her family are Cathars, a gentle religious sect who believe that Satan created Earth and God the heavens, and have thus incurred the land-grabbing enmity of northern neighbors who persecute them with genocidal efficiency, in what has since become known as the Albigensian Crusade. Mosse moves briskly between the two narratives, painting an impressively dense picture of life in the farming region then called Languedoc, and devising nifty matching situations and characters (e.g., two obstreperously venal femmes fatale). It all works smashingly until late in the story, when an ill-advised (and quite overlong) summary of the history of the Grail legend brings the drama to a stuttering halt.

Fun for most of the way—and very likely to be one of next summer’s popular vacation reads.

Pub Date: March 7, 2006

ISBN: 0-399-15344-6

Page Count: 528

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 2006

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THE EVIL MEN DO

As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.

Having survived his tempestuous debut, P.T. Marsh, of Georgia's Mason Falls Police Department, is back for more—including some residue from that first case that just won’t go away.

Dispatched like an errand boy to wealthy real estate mogul Ennis Fultz’s home to find out why he hasn’t joined his bridge buddies, Mayor Stems and interim police chief Jeff Pernacek, for their monthly game, Marsh and his partner, Remy Morgan, find Fultz dead in his bed. It turns out that his passing, devoutly longed for by so many of the people he’d crushed or outwitted on his way to the top, was helped along by the strategic dose of nitrogen somebody substituted for the oxygen he inhaled regularly, especially when he was expecting particular demands on his virility. Marsh and Morgan quickly focus on two candidates who might have made those demands: Suzy Kang, a recent visitor who was so eager to cover any traces that she’d been to Fultz’s house that she sold the car she’d driven there, and Connie Fultz, the victim’s ex-wife and perhaps his current lover, who acidly swats them away and tells them: “Look for some little gal who’s into bondage.” McMahon excels in sweating the procedural details of the investigation, which take the partners from a search for Suzy Kang and that missing car to a not-so-accidental car crash that’s evidently targeted a young girl who has no idea she’s implicated in the case. But he’s set his sights higher, taking in everything from a civil suit the relatives of the perp Marsh shot in The Good Detective (2019) have launched against him to a possible conspiracy behind the deaths of his deeply grieved wife and son, all of it larded with Georgia attitude and truisms, a few of which rise to eloquence (“I wasn’t good at faith. I was good at proof”).

As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.

Pub Date: March 3, 2020

ISBN: 978-0-525-53556-0

Page Count: 368

Publisher: Putnam

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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ONE DAY YOU'LL BURN

Schneider’s debut enlivens the police procedural with offbeat characters and an appealingly complex hero.

Hollywood detectives catch the strange case of a brutally burned body.

Detective Tully Jarsdel is a former academic, leading his partner, Morales, to call him Professor. When he fights his way through multiple news crews to reach a corpse one day, it's unlike any he’s ever seen. The body is twisted, partially ravaged, and burned so badly it’s unrecognizable. Jarsdel and Morales intensely question Dustin Sparks, the horror-movie special-effects expert who found the body. He eventually admits that he saw the body being dumped from a van, but his addiction to OxyContin makes him a compromised witness. While waiting for DNA results, Jarsdel and Morales watch missing persons reports closely. An odd red disk glued to the victim’s palm turns out to be a 1996 quarter painted red: the case’s first clue, albeit a murky one. DNA connects the victim to grizzled convict Lawrence Wolin, who identifies the man as his brother. The pieces of Grant Wolin’s life come together via interviews prompted by a search of his dirty apartment. He sold jars of “genuine Hollywood dirt” on the street, smoked marijuana occasionally, and was apparently asexual. A dinner scene at the home of Jarsdel’s scholarly parents provides insight into his psyche and his sense of isolation. Though he fits in with neither the gritty world of police work nor the ivory tower of academia, he has a passion for justice.

Schneider’s debut enlivens the police procedural with offbeat characters and an appealingly complex hero.

Pub Date: Feb. 4, 2020

ISBN: 978-1-4926-8444-2

Page Count: 336

Publisher: Poisoned Pen

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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