Mosse’s prose has a gossamer quality well suited to the fantasy she spins.

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THE WINTER GHOSTS

Romantic spookery in a small village in southwest France in the 1920s, from Mosse (Sepulchre, 2008, etc.), co-founder of the Orange Prize for Fiction.

Freddie Watson is a man on a mission. Parchment manuscript in hand, he goes to a bookstore in Toulouse to find someone able to translate Occitan, the medieval language of the region, into English. From that moment unfolds a tale that had begun several years before, on which one winter’s night Freddie had found himself traveling through the remote area of Occitania. Freddie’s recent past had been characterized by melancholia, a condition created by his distant and unloving parents as well as by the death of his beloved older brother George the day before the first assault on the Somme. For five years after he received news of George’s death, Freddie tried to repress his grief, but he finally had a mental breakdown and was hospitalized. Even in 1928 he still feels traumatized by the war that had taken his brother away. When he finds himself stranded in a remote valley, he begins to enter briefly into the life of the village (appropriately called Nulle), which is about to celebrate the fête de St. Etienne, a fixture of communal life since medieval times. At the local Ostal he meets the inscrutable and mysterious Fabrissa, a lovely, delicate woman who seems to know more about Freddie’s loss than is humanly possible. Freddie is of course dazzled by this bewildering and bewitching woman, and the townspeople are mystified as well when Freddie tries to tell them about his encounter, for they know of no one named Fabrissa. A story eventually emerges about a village tragedy that had occurred in the 14th century, when Catharism was rampant in the area and the villagers had taken refuge in some local caves. Fabrissa—or her ghostly self—ultimately helps Freddie deal with his painful present and serves as a redemptive force in his life. 

Mosse’s prose has a gossamer quality well suited to the fantasy she spins.

Pub Date: Feb. 1, 2011

ISBN: 978-0-399-15715-8

Page Count: 288

Publisher: Putnam

Review Posted Online: Dec. 2, 2010

Kirkus Reviews Issue: Dec. 1, 2010

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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