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TALK OF ANGELS

The skilled prose of Irish author O'Brien (18971974) transmutes the material of a conventional coming-of-age tale (``banned in Ireland in 1936 for its frank depiction of lesbianism'') into a rich, absorbing study of character and culture. It's 1922, and Mary Lavelle, the 22-year-old daughter of a widowed doctor in Ireland, is quiet and seemingly conventional, yet she has two qualities that are bound to attract notice: her startling beauty and her yearning to become an independent wanderer. Mary is engaged to nice-but-dull John MacCurtain, a demobilized soldier now working as shipping clerk. John cautiously insists on waiting for marriage until he has a good income, and so Mary, feeling fondness but no great ardor for her fiancÇ, decides to make use of the time to become a governess in Spain—a then traditional occupation for rootless Irishwomen. She finds work tutoring the daughters of a family headed by the aristocratic Don Pablo Areavaga, whose marriage—complicated, sexless, but not unloving—is explored in depth. Despite initial homesickness, Mary soon takes to her charges, who include the vain, gregarious Pilar and the spirited, amusingly precocious Milagros. With her youth and looks, their new governess provokes comment in the spinsterish community of Irish ``misses,'' but she nevertheless finds friends in Rosie O'Toole, a spunky eccentric, and Agatha Conlon, an austere, mysterious semi-recluse. As Mary develops a taste for bullfights and an infatuation with Spain in general, she comes to find answering John's daily letters a chore. Events reach a crisis when she meets Don Pablo's married son, Juanito—while, at the same time, Agatha is developing her own illicit passion for Mary. Passive and impressionable Mary is sometimes a frustrating heroine, but O'Brien writes with a striking grace and acuity that illuminate not only the landscape of but the complexity of the people living in it. (Film rights to Miramax)

Pub Date: June 27, 1997

ISBN: 0-7868-6191-6

Page Count: 300

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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