A stiff but sometimes moving debut about a day in the life of an 88-year-old woman. The often crotchety Ruth has lived for 20 years in a condominium complex in southern California, wondering ``How in God's name'' her life ``could have turned out like this?'' In pondering that question, she recalls a life in which ``She had been prudent. She had risked little. She had lost little. She had chosen correctly.'' And yet things still pull terribly at her heart: For decades, she's been ``marooned with a moron,'' her kind but foolish second husband; her granddaughter is married to a man whom Ruth finds self-interested and irresponsible; and her health, at long last, seems to be failing (she sees white lights, feels pangs, has spells). The secret core of Ruth's emotional life is her keen yearning for her first husband, Hale, who died long ago of a bizarre virus. During Ruth's reminiscences, we get glimpses of characters from the past—an opera-singing aunt who tricked her way into marriage to account for a pregnancy; a flamboyant friend from UCLA who owns a racy lingerie shop—as well as characters from the present, like Ruth's understanding and beloved cleaning ``girl'' Luzma and her little son Luis. Phillips's task—to write interestingly about the confined doings of an ancient, guarded, set-in-her-ways person who feels that life has passed her by—is a daunting one; and, while the events and details of Ruth's mundane life of TV dinners, old photos, and crotchety habits aren't always either captivating or patently charming, her day—an outing, a meal, a visit—nevertheless draws to a close (``The past seemed to steer her'') in small and genuine steps amidst passages of writing (``Life, she thought, was so incredibly temporary. Nothing ever lasted, nobody ever stayed'') that can draw strongly on a reader's heart, however briefly. An ambitious first novel, in all, that suggests a strong emerging talent.
Pub Date: Jan. 12, 1996
ISBN: 0-395-74285-4
Page Count: 192
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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