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HEAD FOR THE EDGE, KEEP WALKING

A touching and comedic look at one woman’s journey to create a new life for herself.

A woman confronts health problems and the end of a relationship in this debut novel. 

Jill Beech is still reeling from a breakup with her long-term boyfriend. She has the support of her friends and family, but she doesn’t quite know how to stop herself from moping over Angus. When a visit to the colposcopy clinic reveals abnormal cells on her cervix, Jill completes her transition into a full breakdown. She tries her best to ignore or bury her problems for as long as she can, until a cancer diagnosis forces her to finally confront some of her issues. But cancer isn’t the only thing she has to deal with. Between struggling to contribute at work, figuring out when to confront friends and navigating the terrifying world of online dating, Jill has a lot on her plate. The novel is at its best when it explores what is a central issue for many women—fertility. Jill's friends either have, want or don’t want babies, while Jill struggles with her own complicated feelings toward childbearing. Jill can be a frustrating, but it’s satisfying to watch her come into her own and begin to take responsibility for her life and her choices. She’s a wry and funny character who will remind readers of a much more realistic Bridget Jones.

A touching and comedic look at one woman’s journey to create a new life for herself.

Pub Date: Jan. 1, 2015

ISBN: 978-1-908885-58-6

Page Count: 272

Publisher: Cargo Publishing

Review Posted Online: Nov. 14, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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OF MICE AND MEN

Steinbeck is a genius and an original.

Steinbeck refuses to allow himself to be pigeonholed.

This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define.  Steinbeck is a genius and an original.

Pub Date: Feb. 26, 1936

ISBN: 0140177396

Page Count: 83

Publisher: Covici, Friede

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Feb. 1, 1936

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