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THE GARDENS OF KYOTO

The message isn't lost on the reader, but it's shrouded in oppressively plangent (though often quite beautiful) prose so...

A complex history of secrecy and grief is gradually revealed in this painstakingly layered, deliberately muted first novel, from the author of Where She Went (stories: 1998).

At the outset it seems to be the story of narrator Ellen Rock's unspoken love for her older cousin Randall Jewell, a charming, intellectually curious boy who had shared his personal secrets with her—and perished during WWII on Iwo Jima, bequeathing to Ellen his diary and an illustrated volume describing the eponymous Japanese gardens (the subject of petitions that their pristine beauty be spared by Allied bombers). But the novel wanders, as Ellen searches both her own past and the histories of other people whose experiences impinge on or influence her own. Her older sister Rita dies young, after marrying a traumatized war veteran; and Ellen's own husband Henry, who breaks down and enters a V.A. hospital, fades from her life almost as quickly as he had (accidentally, as it happens) entered it. Her uncle Sterling (Randall's father) importunes Ellen to "Tell me about . . . my son," all but paralyzed by a guilty secret that mocks a life of outward rectitude. And Randall's legacy wounds Ellen as severely as do her own losses: She discovers not only that during the Civil War the Jewells' stately home had been a haven for runaway slaves, but that it had also been the site of horrendous injustices, including an embittered freeman's defiant act of vengeance. The novel's separate parts don't quite cohere formally, but the nature of their interconnection is suggested by this telling phrase from Randall's book: "Tucked within the gardens of Kyoto is a shrine to unborn children, to lost children, to children too soon dead."

The message isn't lost on the reader, but it's shrouded in oppressively plangent (though often quite beautiful) prose so concentrated on mourning for this story's numerous dead and gone that it disallows any contrary experience or emotion, or even a breath of air. Not negligible by any means, but awfully bleak and monotonous.

Pub Date: April 2, 2001

ISBN: 0-684-86948-9

Page Count: 304

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2001

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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