Four siblings are thrown on their own considerable resources when they're unexpectedly orphaned in this spooky, consolatory fable from veteran tale-spinner Wilhelm (Malice Prepense, 1996, etc.). All their young lives, the McNair children have followed their father Warden, a structural engineer, from one exotic posting to another. But when Kevin, the oldest, threatens to run away if the family doesn't settle down, his parents buy a century-old house outside Portland, Ore., and prepare to put down roots. The roots may be deep, but they're not going to be wide, since Lee McNair, a former street kid who was rescued when Warden stayed in the hotel room she was cleaning, doesn't trust outsiders and all but chases the neighbors off with a broom. When Warden's killed at work, Lee is inconsolable in more ways than one, and her children, who've never made any friends in school, are left alone in their grief. Their isolation, though, is only a prelude to the ordeal that follows their discovery of Lee's body in the mud under their apple tree. Fearing that they'll be farmed out to separate foster homes if they report their mother's death to the authorities, the children contrive to keep it a secret, burying her in the garden, fending off the neighbors' few inquiries about Lee, and plotting their own futures. Truculent Kevin, 15, falls in love with computers; straight-A Amy, 14, is a budding marine biologist; awkward Liz, 11, takes up the violin and storytelling; and Brian, 6, remains haunted by the mother he insists has never left—and who he insists doesn't want him to leave either. Years pass, and the children, guided toward adulthood by Wilhelm's uncommon delicacy about their adolescent hopes and fears, all make plans to follow their stars—except for Brian, whose deepening silence brings about the catastrophe that finally lays his unquiet mother to rest. Sensitive, moving, and gently haunting story about the two younger McNairs and their special kinship.
Pub Date: March 30, 1998
ISBN: 0-312-17914-6
Page Count: 224
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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