A candid, reflective memoir.
A Golden Globe–winning actress tells the story of her life as a singer/songwriter who unexpectedly became a TV star.
Sagal grew up with two parents who had artistic aspirations. Her mother had been a TV screenwriter, and her quick-tempered, workaholic father had dropped out of Harvard Law School to become a respected TV director. But their home life was turbulent. The author’s stay-at-home mother suffered from depression and heart disease and died when she was young, and the father she feared died when she was in her mid-20s. Through all the personal difficulties, Sagal's saving grace was music. Acting was an afterthought, something her father thought she did well and that got her into the Cal Arts theater arts program. After dropping out of college in the mid-1970s, Sagal found work as an actress in a touring musical and then in a restaurant as a singing waitress, where she met and began dating Kiss lead singer Gene Simmons. She then became a backup singer for Bette Midler; in the meantime, an early marriage fell apart. A brush with cancer during this period led to her recovery from alcohol and the pills to which she had become addicted as a teenager struggling with weight issues. By the mid-1980s, Sagal was discovered by an agent who helped her land the role of sex-starved housewife Peg Bundy in Married…With Children, which ran for 10 years. Offscreen, she married—and later divorced—her second husband, had two children, remarried a third time, and had a child via a surrogate mother. Despite her acting success, Sagal admits that “it took me years to feel like I belonged” on TV, just as it took her time to get used to turning 60. While this book is sure to please the author’s many fans, its thoughtful, no-regrets honesty will no doubt also appeal to readers of Hollywood memoirs seeking substance that goes beyond gossip and name-dropping.
A candid, reflective memoir.Pub Date: March 21, 2017
ISBN: 978-1-4767-9671-0
Page Count: 256
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 3, 2017
Kirkus Reviews Issue: Jan. 15, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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