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THE GIRL AND THE WOLF

A tale about knowledge, power, and trust that reminds readers we used to speak with animals and still do—it already feels...

A berry-picking excursion turns potentially frightening when a girl wanders from her mother and encounters a wolf.

Despite her mother’s warning to stay close as night approaches, the girl finds herself lost in the woods and feeling “cold and scared.” In classic wolf-narrative style, a “tall grey wolf with big white teeth” appears, but unlike those in many traditional tales, this lupine offers help. Only by balancing experiential knowledge (identifying berries that are safe to eat) with instinctual trust (following the wolf’s guidance) can the girl hope to reunite with her family. Poetic descriptions and spare prose combine with simple yet textured mixed-media illustrations to create a story with a deeply cinematic quality. Readers will likely infer the girl and her mother are First Nations peoples due to illustrator Flett’s (Cree-Métis) visual cues of brown skin, black hair, and moccasins and through author Vermette’s (Métis) textual reference of tying tobacco in cloth to leave as a thank-you. Muted, earth-toned images give depth while allowing the girl to stand out in her red dress. Though similar to stories from the oral tradition or even the European canon, this is “a completely made-up story.” It’s got a worthy message for any reader to enjoy, and Indigenous and First Nations readers will especially connect with characters who nourish traditional ways of knowing while existing in an active, contemporary present.

A tale about knowledge, power, and trust that reminds readers we used to speak with animals and still do—it already feels like a classic. (author’s note) (Picture book. 3-5)

Pub Date: Feb. 5, 2019

ISBN: 978-1-926886-54-1

Page Count: 32

Publisher: Theytus Books

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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YOU ARE HOME WITH ME

Instills a sense of well-being in youngsters while encouraging them to explore the natural world.

This reassuring picture book exemplifies how parents throughout the animal kingdom make homes for their offspring.

The narrative is written from the point of view of a parent talking to their child: “If you were a beaver, I would gnaw on trees with my teeth to build a cozy lodge for us to sleep in during the day.” Text appears in big, easy-to-read type, with the name of the creature in boldface. Additional facts about the animal appear in a smaller font, such as: “Beavers have transparent eyelids to help them see under water.” The gathering of land, air, and water animals includes a raven, a flying squirrel, and a sea lion. “Home” might be a nest, a den, or a burrow. One example, of a blue whale who has homes in the north and south (ocean is implied), will help children stretch the concept into feeling at home in the larger world. Illustrations of the habitats have an inviting luminosity. Mature and baby animals are realistically depicted, although facial features appear to have been somewhat softened, perhaps to appeal to young readers. The book ends with the comforting scene of a human parent and child silhouetted in the welcoming lights of the house they approach: “Wherever you may be, you will always have a home with me.”

Instills a sense of well-being in youngsters while encouraging them to explore the natural world. (Informational picture book. 3-5)

Pub Date: Nov. 12, 2019

ISBN: 978-1-63217-224-2

Page Count: 32

Publisher: Little Bigfoot/Sasquatch

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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THE HUG

Watching unlikely friends finally be as “happy as two someones can be” feels like being enveloped in your very own hug.

What to do when you’re a prickly animal hankering for a hug? Why, find another misfit animal also searching for an embrace!

Sweet but “tricky to hug” little Hedgehog is down in the dumps. Wandering the forest, Hedgehog begs different animals for hugs, but each rejects them. Readers will giggle at their panicked excuses—an evasive squirrel must suddenly count its three measly acorns; a magpie begins a drawn-out song—but will also be indignant on poor hedgehog’s behalf. Hedgehog has the appealingly pink-cheeked softness typical of Dunbar’s art, and the gentle watercolors are nonthreatening, though she also captures the animals’ genuine concern about being poked. A wise owl counsels the dejected hedgehog that while the prickles may frighten some, “there’s someone for everyone.” That’s when Hedgehog spots a similarly lonely tortoise, rejected due to its “very hard” shell but perfectly matched for a spiky new friend. They race toward each other until the glorious meeting, marked with swoony peach swirls and overjoyed grins. At this point, readers flip the book to hear the same gloomy tale from the tortoise’s perspective until it again culminates in that joyous hug, a book turn that’s made a pleasure with thick creamy paper and solid binding.

Watching unlikely friends finally be as “happy as two someones can be” feels like being enveloped in your very own hug. (Picture book. 3-5)

Pub Date: April 2, 2019

ISBN: 978-0-571-34875-6

Page Count: 48

Publisher: Faber & Faber

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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