A revealing work of financial reporting in a time of staggering inequality.
A gimlet-eyed look at the mega-skyscrapers that have been rising along New York’s Central Park.
The story of capital in the 21st century, writes Wall Street Journal reporter Clarke, is one of concentration in the hands of fewer and fewer people. As ever, many such people thrive on conspicuous consumption, and they find it in places such as One57, a massive city within a city that rose high in the Manhattan sky through the economic power of Saudi Arabian financiers. Other “copycat” structures have risen nearby, while predecessors have come and gone. One built by an aspirational developer named Harry Macklowe was an exercise in “amenity-rich luxury,” with a comfortable waiting lounge for chauffeurs, around-the-clock catering services, a huge indoor swimming pool, squash courts, and even a wine cellar where collectors could house their prized vintages. Interestingly, Clarke writes, the Billionaire’s Row of her title, which runs along 57th Street, was once “a schlocky patchwork,” the locus of theme restaurants such as the Hard Rock Café and the Motown Cafe. When those restaurants failed in the Great Recession, developers began to buy up comparatively inexpensive properties through financial mechanisms that skirted regulations via sources that “included everything from private equity and hedge funds to sovereign wealth funds and ultra-high-net-worth individuals.” Some developers made fortunes, while others went broke; some outfoxed Donald Trump along the way. If most architecture critics hated the newly remade street, so, too, did many ordinary New Yorkers, for whom “the skyboxes for billionaires were simultaneously an object of fascination and loathing.” Clarke notes that while New York has pale imitators in places like Austin and Miami, it is far from being the world center of superopulent, supersized buildings, lagging well behind any number of Asian cities and with no sign of catching up anytime soon.
A revealing work of financial reporting in a time of staggering inequality.Pub Date: June 13, 2023
ISBN: 9780593240069
Page Count: 416
Publisher: Currency
Review Posted Online: April 10, 2023
Kirkus Reviews Issue: May 1, 2023
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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