Though a pleasant tale of friendship, the melding of the two well-known stories enriches neither
Sleeping Beauty meets Jack the Giant-Killer in this retelling.
Lady Briar and Princess Rose are twins—but neither one knows this. When they were born—Rose with a flawless face and Briar with a protruding brow and drooping eyelid—the horrified king declared he could not raise such an ugly child as his heir. Briar, raised as the orphan of a minor noble, grows up best friends with Rose, though most other children and adults at court treat her with cruelty for her ugliness. Neither girl knows of the fairies who attended their christening and gave them a smattering of blessings, nor do they know of the wicked fairy who laid a curse that will take effect on their 16th birthday. As the girls grow, they become friends with Jack, a devastatingly poor villager. Together they form a secret society: the Giant Killers! The Giant Killers know that when they’re big enough, they’ll defeat the wicked giant who is always stealing their tiny kingdom’s food and treasure, leaving the kingdom poor and the villagers starving. The two intertwined fairy tales, with white characters in a Christian, medieval Europe–esque setting, proceed as expected, complicated only by the presence of Briar. Both plotting and writing feel underdone, with arbitrary plot elements and character swings driving events.
Though a pleasant tale of friendship, the melding of the two well-known stories enriches neither . (Fantasy. 9-11)Pub Date: June 11, 2019
ISBN: 978-1-328-95005-5
Page Count: 368
Publisher: Clarion Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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