These young women are sympathetic and slyly seductive, sometimes selfish and maddeningly un–self-aware, but they are...

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SINGLE, CAREFREE, MELLOW

STORIES

Heiny explores sex, relationships and the internal lives of young women in this charmingly candid collection of short stories.

The women who populate the pages of Heiny’s disarming debut are girlfriends, mistresses and wives. They are best friends, roommates and lovers. They are intelligent but not always ambitious—keenly insightful but sometimes, perhaps willfully, blind to their own deeper desires—with loyalties and libidos that may be at odds and morals that may be in question. Despite the title, not all are single (or carefree or mellow), but they are all singular, and following their stories is like sitting at a dive bar tossing back deceptively pretty, surprisingly strong drinks with a pal who may not always make the best decisions but always comes away with the most colorful tales. In fact, “The Dive Bar” is the title of the first story. In it, we meet Sasha, an attractive 26-year-old writer whose boyfriend has left his wife for her. After a confrontation with the boyfriend’s wife, Sasha reluctantly mulls the morality of her choices, but for her, morality is really (boringly) beside the point, and she instead finds herself sinking sideways into the next chapter of her life, a happy one, from all indications. Heiny’s characters often find themselves propelled through life by circumstances: The death of a beloved dog can lead inexorably to marriage, pregnancy and secret affairs, as it does for Maya, the protagonist of three of these stories, and her kind, kindred-spirit boyfriend/fiance/husband, Rhodes. Not all the women here are as appealing as Sasha and Maya, and the less we like them, the less charmed we may be by their careless misbehavior. By the end of the book—as by the end of a night at the bar with our metaphorical, engagingly louche friend—we might not find ourselves overly reluctant to part company. 

These young women are sympathetic and slyly seductive, sometimes selfish and maddeningly un–self-aware, but they are beguilingly human, and readers will yield to their charms.

Pub Date: Feb. 3, 2015

ISBN: 978-0-385-35363-2

Page Count: 240

Publisher: Knopf

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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Readers seeking a tale well told will take pleasure in King’s sometimes-scary, sometimes merely gloomy pages.

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  • New York Times Bestseller

THE BAZAAR OF BAD DREAMS

STORIES

A gathering of short stories by an ascended master of the form.

Best known for mega-bestselling horror yarns, King (Finders Keepers, 2015, etc.) has been writing short stories for a very long time, moving among genres and honing his craft. This gathering of 20 stories, about half previously published and half new, speaks to King’s considerable abilities as a writer of genre fiction who manages to expand and improve the genre as he works; certainly no one has invested ordinary reality and ordinary objects with as much creepiness as King, mostly things that move (cars, kid’s scooters, Ferris wheels). Some stories would not have been out of place in the pulp magazines of the 1940s and ’50s, with allowances for modern references (“Somewhere far off, a helicopter beats at the sky over the Gulf. The DEA looking for drug runners, the Judge supposes”). Pulpy though some stories are, the published pieces have noble pedigrees, having appeared in places such as Granta and The New Yorker. Many inhabit the same literary universe as Raymond Carver, whom King even name-checks in an extraordinarily clever tale of the multiple realities hidden in a simple Kindle device: “What else is there by Raymond Carver in the worlds of Ur? Is there one—or a dozen, or a thousand—where he quit smoking, lived to be 70, and wrote another half a dozen books?” Like Carver, King often populates his stories with blue-collar people who drink too much, worry about money, and mistrust everything and everyone: “Every time you see bright stuff, somebody turns on the rain machine. The bright stuff is never colorfast.” Best of all, lifting the curtain, King prefaces the stories with notes about how they came about (“This one had to be told, because I knew exactly what kind of language I wanted to use”). Those notes alone make this a must for aspiring writers.

Readers seeking a tale well told will take pleasure in King’s sometimes-scary, sometimes merely gloomy pages.

Pub Date: Nov. 3, 2015

ISBN: 978-1-5011-1167-9

Page Count: 512

Publisher: Scribner

Review Posted Online: Aug. 17, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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