An amusingly engaging take on long-term marriage with a lovably loopy character at its center.

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STANDARD DEVIATION

In her debut novel, the author of the charming short story collection Single, Carefree, Mellow (2015) matures into new (equally beguiling) terrain, exploring marriage, fidelity, friendship, and parenting.

It’s easy to see why Graham, one-half of the New York City couple at the center of Heiny’s first novel, is enthralled by his wife of 12 years, Audra. While Graham, a medical-venture specialist at a venture capitalist firm, is steady, stable, and fond of “routine and order,” Audra, a freelance graphic designer 15 years his junior, is an unrestrained force of good nature. Audra’s vivacity offers a stark contrast to Graham’s emotionally cool first wife, Elspeth, with whom the couple reconnects. Audra draws all manner of friends and random strangers into her orbit with her chatty sociability and almost unwavering cheer. She cannot make it through a trip to the grocery store without running into a million people she knows (Graham says it’s like shopping with “a visiting dignity”) and bonding big-time with the checkout guy, is constantly inviting people (a woman she barely knows from her book group whose husband has been unfaithful; their building’s afternoon doorman, for a reason Graham cannot recall) to move into their den or eat at their table. Audra is forever on the phone, helping out with PTA activities at the school attended by their 10-year-old son, Matthew, who has Asperger’s and is some kind of origami prodigy, or chatting with her best friend, Lorelei. Like Graham, the reader may be deeply enchanted with, if also somewhat mystified by, Audra. She’s a wonderful character, as are many of those assembled around her, and the series of minor challenges she and Graham face (potential infidelities, possible pregnancy, challenging play dates, and other parental concerns)—she pluckily; he sheepishly—make for reading as delicious as the meals Graham is forever called into service to cook for whomever Audra happens to have invited by that night. To quibble, the episodic, somewhat attenuated plot lacks a degree of urgency and loses a bit of steam midway through, but it regains its footing by the end. And to spend 300-plus pages with Heiny’s wry voice and colorful cast of characters is to love them, truly.

An amusingly engaging take on long-term marriage with a lovably loopy character at its center.

Pub Date: May 27, 2017

ISBN: 978-0-385-35381-6

Page Count: 336

Publisher: Knopf

Review Posted Online: Feb. 20, 2017

Kirkus Reviews Issue: March 1, 2017

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THE PRINCE OF TIDES

A NOVEL

A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.

Pub Date: Oct. 21, 1986

ISBN: 0553381547

Page Count: 686

Publisher: Houghton Mifflin

Review Posted Online: Oct. 30, 2013

Kirkus Reviews Issue: Sept. 15, 1986

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

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