A bleak and disturbing story but one that offers a glimmer of hope.
In Hill’s debut, members of a troubled family converge to celebrate a milestone, with unexpected results.
Rheumatologist Abe Green loves sailing, but his wife, Cassandra, a sculptor, does not. When the couple and their daughter Elizabeth, newly accepted to Harvard, go sailing one day in San Francisco Bay, Abe reveals during an argument that he knows about Cassandra’s affair with a gallery owner, then leaps from the boat and swims away. Eight years later and divorced, Cassandra and her siblings, Howie and Mary, gather at their parents’ home in Maryland to celebrate their father’s 80th birthday; Elizabeth, in her final year of medical school, joins them and brings her boyfriend, Kyle, to meet her grandparents. Howard and Eunice Fabricant live above the family-owned funeral home and have raised their three children over the rooms where corpses await final preparations. On the eve of the big party, tragedy strikes, and instead of birthday festivities, the family prepares for a funeral for one of their own. As Cassandra deals with her grief, she recalls moments that have defined her life: both her fascination with dead bodies and her feelings of repulsion; her rejection of her mother’s desire that she one day assume the reins of the family business; the initial heady feelings of love for her former husband and their increasing alienation—emotions both Abe and Cassandra explore through a haze of marijuana when he shows up for the funeral. Meanwhile, Elizabeth’s pain causes her to push Kyle away and question their relationship. Although the author’s early prose is a bit florid, as the story progresses the writing becomes more subdued and more suited to the multifaceted study. Hill has produced an unusual retrospective of a family torn apart by divorce and infidelity and so keenly affected by the immediate events in their lives that they are only barely aware of what’s transpiring around them, namely Hurricane Katrina’s ravaging of the Gulf Coast.
A bleak and disturbing story but one that offers a glimmer of hope.Pub Date: July 16, 2013
ISBN: 978-1-4767-1032-7
Page Count: 368
Publisher: Scribner
Review Posted Online: May 13, 2013
Kirkus Reviews Issue: June 1, 2013
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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