Thoughtful escapism.
An engineer at a crossroads gains clarity about her past and information about her future on a Jane Austen–themed vacation in Bath, England.
Mary Davies is stymied in her professional and personal lives, which happen to be intertwined. A creative engineer at a tech hardware firm in Austin, Texas, she has failed to bring her most beloved project to fruition, calling her employment into question with the new boss. Though she receives encouragement and telling bits of attention from the interim CEO, Nathan, she insists that her project and obvious love for him are both dead in the water. The novel veers in a different direction, then, as Mary accompanies her childhood best friend, Isabel, on an immersive vacation at a manor house in Bath, where they dress in period garb, take on the personae of their chosen Austen characters, and mingle with other guests. The action in Bath is layered. Isabel suffers a kind of mental breakdown, retreating fully into her character, frightened by anything that threatens the fantasy. This sheds light, in intermittent beams, on the women’s troubled friendship, suggesting a reason for Mary’s defeatism. Nathan, learning of the situation, hops on a plane to England to provide assistance. Mary is slowly convinced of his love for her but is as easily spooked by this new development as Isabel is of cellphones. Meanwhile, her employment—and related self-esteem—hangs in the balance. Reay handles the Bath scenes with tenderness and a light touch, allowing the drama to come as much from internal conflict as external, rom-com–type misunderstandings. But while it’s laudable to put a woman in science at the center of a Regency romance, Mary’s professional life still feels forced.
Thoughtful escapism.Pub Date: Nov. 7, 2017
ISBN: 978-0-7180-7809-6
Page Count: 336
Publisher: Thomas Nelson
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Oct. 1, 2017
BOOK REVIEW
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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