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S&L HELL

THE PEOPLE AND THE POLITICS BEHIND THE $1 TRILLION SAVINGS AND LOAN SCANDAL

A journalist's informed audit of the factors that brought America's S&Ls to grief. Where other annalists have focused on the predators whose buccaneering became a public scandal, Washington Post correspondent Day offers detailed, damningly documented perspectives on a wealth of political influences, putting paid to the notion that economic reverses, fraud, or junk bonds were primarily responsible for the solvency woes of thrift institutions. After providing a back-to- basics rundown on the industry's origins as a Washington-favored source of residential mortgages, she addresses the rush to deregulation that began toward the end of the Carter Administration and that set S&Ls on a slippery down-slope during the 1980's. Among other unintended consequences, Day points out, the introduction of laissez-faire triggered a scramble for brokered deposits and encouraged risky lending practices that soon resulted in soaring default rates. Though obviously in extremis by mid-decade, entrepreneurial thrifts were allowed to keep their difficulties under wraps. Day attributes the paucity of disclosure and seizures to a host of causes. To begin with, Reagan-era regulators were at least tacitly enjoined to avoid action that might increase budget deficits; accordingly, they endorsed stopgap measures as well as accounting gimmicks designed to help troubled associations weather interest-rate storms and, later, to paper over capital shortfalls. In the meantime, the author explains, S&L executives and their lobbyists kept pressure on lawmakers beholden to them because of campaign contributions. While the overdue tab run up by pillaged and incompetently supervised thrifts was finally presented to taxpayers following the 1988 presidential election, government agencies, Day cautions, are bungling the salvage operation mandated by 1989 bailout legislation; the meter is still running, she reports, and the reckoning could eventually reach $1 trillion or more. An unsparing and perceptive briefing on a pocketbook issue whose complexities appear beyond the grasp of mass media.

Pub Date: March 29, 1993

ISBN: 0-393-02982-4

Page Count: 384

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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