Eagle, a veteran romancer, knows her Indian facts and history, but her characters fail to bring either to life.

READ REVIEW

YOU NEVER CAN TELL

RITA Award–winner Eagle once again tries for a mainstream audience, this time in a story that centers on a journalist, Manhattan-based, who falls in love with a Lakota Sioux activist and his cause.

Heather Reardon describes herself as having “made quite a name for myself writing stories that speak to the American social conscience.” In northern Minnesota, she tracks down her idol, an American Indian Movement activist and prison escapee named Kole Kills Crow. Jailed for taking hostages at a post office, a bogus charge, Kole was framed for the killing of a fellow prisoner. Then, while he was living in supposed hiding, his wife was killed in a mysterious house explosion. Heather knows the whole story because her best friend Savannah, the supermodel heroine of Eagle’s last title (The Last Good Man, 2000) and coincidently Kole’s sister-in-law, has been raising Kole’s daughter in order to keep her safe. Not surprisingly, the attraction between Kole and Heather is immediate. But should Kole trust this stranger? And should Heather sleep with her story? After clever if facile banter, soft-focus eroticism, and far too much political discussion of Native American rights and governmental wrongs, the affair takes off as the two start a trek cross-country to Hollywood to demonstrate against film stereotypes and incidentally to clear Kole of the murder charge by finding the real perp. The story, in all, never quite jells. While some details, like the obvious alias “Kola” under which Kole successfully hides from the law, create minor implausibility, others, like a nuclear waste company’s involvement in filmmaking and murder, are just heavy-handed. In Eagle’s black-and-white world, all Indians are noble and wise, even a former activist turned passive traitor who gets his act of redemption in the novel’s one, slightly out-of-place scene of unexpected violence.

Eagle, a veteran romancer, knows her Indian facts and history, but her characters fail to bring either to life.

Pub Date: Aug. 1, 2001

ISBN: 0-380-97816-4

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2001

Did you like this book?

No Comments Yet

Another success for the publishing phenom.

UNDER CURRENTS

An abused boy fights back, escapes, then returns as an attorney to his beloved hometown, but just as he’s falling in love with a transplanted landscaper, a series of attacks from shadowy enemies jeopardizes their happiness.

“From the outside, the house in Lakeview Terrace looked perfect.” Which of course means that it wasn't. We're introduced to the horrifying Dr. Graham Bigelow, who beats his wife and, increasingly as the boy gets older, his son, Zane. On the night of Zane’s prom, a particularly savage attack puts him and his sister in the hospital, and his father blames Zane, landing him in jail. Then his sister stands up for him, enlisting the aid of their aunt, and everything changes, mainly due to Zane’s secret diaries. Nearly 20 years later, Zane leaves a successful career as a lawyer to return to Lakeview, where his aunt and sister live with their families, deciding to hang a shingle as a small-town lawyer. Then he meets Darby McCray, the landscaper who’s recently relocated and taken the town by storm, starting with the transformation of his family’s rental bungalows. The two are instantly intrigued by each other, but they move slowly into a relationship neither is looking for. Darby has a violent past of her own, so she is more than willing to take on the risk of antagonizing a boorish local family when she and Zane help an abused wife. Suddenly Zane and Darby face one attack after another, and even as they grow ever closer under the pressure, the dangers become more insidious. Roberts’ latest title feels a little long and the story is slightly cumbersome, but her greatest strength is in making the reader feel connected to her characters, so “unnecessary details” can also charm and engage.

Another success for the publishing phenom.

Pub Date: July 9, 2019

ISBN: 978-1-250-20709-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

Did you like this book?

A clever, romantic, sexy love story.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2019

  • IndieBound Bestseller

RED, WHITE & ROYAL BLUE

The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

Did you like this book?

more