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BURNT TOAST MAKES YOU SING GOOD

A MEMOIR OF FOOD AND LOVE FROM AN AMERICAN MIDWEST FAMILY

A warm, quietly poignant treat.

An award-winning nonfiction writer and journalist’s recipe-packed memoir of her Midwestern childhood and how she came “to [her] love of the kitchen.”

Even before Flinn (The Kitchen Counter Cooking School: How a Few Simple Lessons Transformed Nine Culinary Novices into Fearless Home Cooks, 2011, etc.) was born, cooking defined her family. In the late 1950s, her parents left Michigan to help her Irish uncle run an Italian restaurant in San Francisco. When they returned a short time later to care for her father’s dying sister, they went to live on a run-down farm. The family lived a hand-to-mouth existence, and the Flinn children “never had new clothes, fancy bikes, or enough money for hot lunch at school.” However, between the chickens they raised and fruits and vegetables they grew, the Flinns never lacked for good food. In fact, cooking was the conduit through which previous generations of her working-class family expressed their love for each other. Her maternal grandfather courted her grandmother “not with flowers but with food,” and Flinn’s paternal grandmother kept her children from starving during the Depression with the soups she made from just about anything she could find. When the author’s parents married, her father took his new wife on a fishing honeymoon. After the family’s finances improved, they indulged in the more expensive convenience foods more prosperous families took for granted. Longing for homemade food, Flinn began to experiment in the kitchen and discovered “there was nothing better than feeding people.” Cooking eventually became the way she could forget her status as a social outcast and bond with her dying father when the family moved to Florida. As a young adult, Flinn aspired to attend her culinary idol Julia Child’s alma mater, Le Cordon Bleu. More than a decade later, following along the well-worn path of a family love affair with food, she lived out her dream.

A warm, quietly poignant treat.

Pub Date: Aug. 18, 2014

ISBN: 978-0-670-01544-3

Page Count: 288

Publisher: Viking

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Kirkus Reviews'
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  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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