Kent has more fun with the Londoners—Johnny Depp could play almost any of the baddies—than her somewhat morose ancestors,...
In this prequel to The Heretic’s Daughter (2008), Kent tells the fictionalized story of her ancestor Martha Carrier’s courtship with her future husband years before she became a victim of the Salem Witch Trials.
In 1673, Martha’s father sends her to help her pregnant cousin Patience, whose husband Daniel is often away from the family’s farm near Andover. He’s also hoping she’ll find a proper suitor among the local clergy. Instead she’s drawn to one of the two indentured hired men on the farm. An unusually tall Welshman approaching 50, Thomas Carrier carries himself with an air of mystery and authority that intrigues Martha despite herself, especially after he kills the wolves menacing the farm. Those wolves, which Martha dangerously approaches before Thomas shoots them, resemble the band of assassins sent to Massachusetts from London by a minion of King Charles II, who wants to avenge the death of his father, the Catholic Charles I killed by Cromwell. The book cuts between Martha’s growing relationship with Thomas and the assassins’ ill-fated mission as the killers drop off one by one, victims of double-cross, drowning, poison and warring Indians. Martha soon learns that Thomas served as the King’s guard as a youth before joining Cromwell’s cause. He was indeed the one who brought the ax down on Charles I’s head, but he later lost faith in Cromwell when he saw him becoming a despot. As the surviving assassin draws closer, Martha—who has her own secret—fears she has inadvertently betrayed Thomas’s secret when Patience finds the diary in which Martha wrote down his story. But Daniel, like most of his neighbors, is a staunch defender of Protestantism. For all his evil, diabolic planning, the assassin never has a chance.
Kent has more fun with the Londoners—Johnny Depp could play almost any of the baddies—than her somewhat morose ancestors, but she lovingly captures their daily grind and brings looming dangers, whether man or beast, to harrowing life.Pub Date: Nov. 8, 2010
ISBN: 978-0-316-06862-8
Page Count: 320
Publisher: Reagan Arthur/Little, Brown
Review Posted Online: Aug. 5, 2010
Kirkus Reviews Issue: Sept. 1, 2010
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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