This bracing and illuminating bilingual tale deftly shows a kid’s love for a favorite truck.
A child spends time with a special toy in this debut picture book featuring illustrations in American Sign Language.
A blond, blue-eyed boy introduces a monster truck, spelling out the toy’s letters in ASL on the first page. “He goes EVERYWHERE with ME,” the kid announces. The boy describes the truck, adding a modifier that is also signed on each page: big, purple, fast, and loud. Readers can sign along with the child. One day, the boy gets up, eats breakfast, and heads to Grandma’s house, where more fun awaits: a monster truck rally with plenty of friends. The next day, the truck has vanished, and the boy signs his mixed emotions. Soon, Grandma arrives to return the toy, and all is well. Marcath uses simple language and repeating words, creating a narrative accessible to newly independent readers. Mehra and debut illustrator Liang’s digital cartoon images depict ASL clearly, delivering instructions and incorporating the signs into the narrative naturally and effectively. (The endmatter notes that Liang is deaf.) The kids in the cast are quite diverse in their skin tones, hair colors, and abilities. While new ASL learners may not be able to mimic the movements exactly without seeing them demonstrated, the team has provided a link to online videos that show the entire tale signed. Children who already use ASL will be thrilled to see their language skillfully represented in the story’s illustrations.
This bracing and illuminating bilingual tale deftly shows a kid’s love for a favorite truck.Pub Date: Nov. 3, 2020
ISBN: 978-1-73475-171-0
Page Count: 38
Publisher: ASL Picture Books LLC
Review Posted Online: Feb. 8, 2021
Kirkus Reviews Issue: April 1, 2021
Review Program: Kirkus Indie
PERSPECTIVES
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
