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BAREFOOT HEARTED

A WILD LIFE AMONG WILDLIFE

An annoying saga about a house full of pests.

A naturalist’s memoir of living in an old barn in western Montana’s Bitterroot Valley.

Meyer’s conservationist views are of the homespun variety. She and her lover, Patrick, purchase an abandoned 75-year-old dairy barn while participating in the reenactment of a pioneer wagon train. The barn is a perfect site for Patrick’s trade (horseshoeing), while the author is thrilled at the thought of writing a memoir about being thrilled with living in the barn, which is full of critters of all different sorts. Meyer and Patrick don’t necessarily want to exterminate the flies, mice, bats, and skunks with whom they share their abode. (When she sets off a pesticide bomb in the barn, killing thousands of flies, she does so against Patrick’s wishes and feels guilty about it.) Rather, the couple learns how to live with the beasts, becoming nouveau–mountain people, learning even to love the smell of skunk musk (which the author finds sexually arousing). Meyer’s reasoning will cause some, if not most, readers to roll their eyes, and her constant shunning of convenience in the interests of nature grows tiresome as the memoir progresses. She convinces herself that killing mice with traps is okay, for example, only because their overwhelming numbers stem from a steady supply of man-made food. She also engages in a personal boycott of products with already-harvested huckleberries because there is a huckleberry shortage and the black bears have little else to eat. Meyer’s heart is in the right place, of course. When a bear cub senselessly dies, we witness a tragedy; hunters have killed its parents and a game warden’s tranquilizers have killed it. But soon after, when Meyer breaks down and writes “I was crying then for myself, crying the pain of impotence in a fast-hurtling world,” her sophistry again rears its ugly head and our sympathy ebbs. Passages devoted to a fishing trip in which Hemingway is invoked also try the patience.

An annoying saga about a house full of pests.

Pub Date: Aug. 21, 2001

ISBN: 0-375-50438-9

Page Count: 288

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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