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HOME OR AWAY

An engrossing, painfully honest story about how far some people will go to chase success.

A 42-year-old woman who almost-but-not-quite made the Olympic hockey team decades ago moves her family back to her hometown of Liston Heights, Minnesota, to give her 9-year-old son a chance to play youth hockey at a high level.

Leigh Mackenzie is an investment banker married to her college boyfriend, Charlie. She's spent decades hiding from the memories of what happened when she unsuccessfully put everything on the line to make the Olympic ice hockey team at the Lake Placid Olympic Training Center in 2001. Now, after 20 years of marriage, she decides to uproot her family’s life in Tampa and take a new job in her old hometown so her son, Gus, can play hockey at a higher level—despite the fact that the move will put her right in the middle of the group of people she’s been avoiding since her failed the Olympic trials. Susy Walker is Leigh’s former teammate, the former best friend Leigh ghosted after Lake Placid, and she's currently assistant coach of the best youth hockey team in the area. Charlie is a stay-at-home dad with the looks of Matthew McConaughey, a partially written novel, and full devotion to his wife and child. Nine-year-old Gus is a Tampa hockey superstar who's coming to terms with the fact that when it comes to youth ice hockey, Florida-good is nothing like Minnesota-good. The book unfolds from each of these four characters’ points of view, providing an excellent, deeply layered story that explores how ambition, hope, and dedication impact the choices people make, the secrets they hold close, and the lies they tell themselves and others. It's also about powerful women supporting each other, friendship, parenthood, marriage, attraction, sexual harassment, and the all-encompassing world of high-level youth—and Olympic—sports.

An engrossing, painfully honest story about how far some people will go to chase success.

Pub Date: March 29, 2022

ISBN: 978-0-593-33550-5

Page Count: 368

Publisher: Berkley

Review Posted Online: Feb. 4, 2022

Kirkus Reviews Issue: March 1, 2022

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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HOLLYWOOD, ENDING

A classic Green portrait of young love…but here the fault is in our social media.

A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.

“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?

A classic Green portrait of young love…but here the fault is in our social media.

Pub Date: Sept. 22, 2026

ISBN: 9780525426073

Page Count: 304

Publisher: Dutton

Review Posted Online: Sept. 4, 2026

Kirkus Reviews Issue: today

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