A compelling, gracefully written novel about mixed gender that sheds insight as surely as it rejects sensationalism. This...
In a remote coastal town in Newfoundland in the 1970s, a young person of mixed gender struggles for identity, acceptance and understanding
Joining a select group of novels including Jeffrey Eugenides' Middlesex (2002) and Alan Friedman's Hermaphrodeity (1972), Winter's affecting first novel is the story of Wayne Blake, who is subjected to special corrective surgery as a newborn, raised as a boy and given injections and hormone pills to maintain his masculine traits. His mother, Jacinta, a cosmopolitan-minded outsider from the city of St. John's, is torn over quashing his female qualities and interests but wants even less to go against the wishes of his closed-off father, Treadway, a trapper away for months at a time. Only Thomasina, a worldly, free-spirited midwife who privately calls the child Annabel—after the daughter she lost in a freak boating accident that also claimed her husband—asserts that nature should be allowed to take its course: "That baby is all right the way it is. There's enough room in this world." Even as Wayne unhappily goes along with the program, his body asserts its true self, most shockingly when doctors operating on him to release trapped menstrual blood discover a fetus. As Wayne comes of age, he must endure losing his closest friend Wally (a girl), being viciously attacked by bullies after he moves away to attend college and strange looks when he quits the drugs and assumes his natural self. The Montreal-based Winter, a native of Newfoundland, possesses a rare blend of lyrical brilliance, descriptive power and psychological and philosophical insight. Her way with fate and sadness recalls The World According to Garp, without the cute irony.
A compelling, gracefully written novel about mixed gender that sheds insight as surely as it rejects sensationalism. This book announces the arrival of a major writer.Pub Date: Jan. 1, 2011
ISBN: 978-0-8021-7082-8
Page Count: 480
Publisher: Black Cat/Grove
Review Posted Online: Oct. 7, 2010
Kirkus Reviews Issue: Nov. 1, 2010
BOOK REVIEW
An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.
A sprawling story about two sisters growing up, apart, and back together.
Jo and Bethie Kaufman may be sisters, but they don’t have much else in common. As young girls in the 1950s, Jo is a tomboy who’s uninterested in clothes while Bethie is the “pretty one” who loves to dress up. When their father dies unexpectedly, the Kaufman daughters and their mother, Sarah, suddenly have to learn how to take care of themselves at a time when women have few options. Jo, who realizes early on that she’s attracted to girls, knows that it will be difficult for her to ever truly be herself in a world that doesn’t understand her. Meanwhile, Bethie struggles with her appearance, using food to handle her difficult emotions. The names Jo and Beth aren’t all that Weiner (Hungry Heart, 2016, etc.) borrows from Little Women; she also uses a similar episodic structure to showcase important moments of the sisters’ lives as she follows them from girlhood to old age. They experience the civil rights movement, protests, sexual assault, drugs, sex, and marriage, all while dealing with their own personal demons. Although men are present in both women's lives, female relationships take center stage. Jo and Bethie are defined not by their relationships with husbands or boyfriends, but by their complex and challenging relationships with their mother, daughters, friends, lovers, and, ultimately, each other. Weiner resists giving either sister an easy, tidy ending; their sorrows are the kind that many women, especially those of their generation, have had to face. The story ends as Hillary Clinton runs for president, a poignant reminder of both the strides women have made since the 1950s and the barriers that still hold them back.
An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.Pub Date: June 11, 2019
ISBN: 978-1-5011-3348-0
Page Count: 480
Publisher: Atria
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A love letter to the power of books and friendship.
Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.
Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.
A love letter to the power of books and friendship.Pub Date: Oct. 8, 2019
ISBN: 978-0-399-56248-8
Page Count: 400
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: Aug. 1, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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