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BEAU & BETT

An entertaining YA romance with multilayered characters—a winner.

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In this subtle reworking of a fairy tale, a teenage boy from a poor family works off a debt to a rich girl nicknamed the Beast.

High schooler Beau LeFrancois lives in California with his large family; his father, a Cajun transplant, picked oranges until a recent fall left him with several broken bones. His mother works as a maid to a rich family, and Beau helps out by ferrying their son, Khalil, home from school. But Beau’s sister is getting married, and money is tight. So when Beau’s mother has an uninsured fender bender involving teenager Bettina “Bett” Diaz of wealthy Diaz Ranch, it’s a problem. Bettina’s father makes a deal: Beau can repay the $1,000 deductible with a month of weekend chores at the ranch. The prospect isn’t made brighter when Khalil, who knows Bettina from his school, explains that everyone calls her “Bett the Beast….Take my advice and stay away from her.” Beau is no stranger to hard work and wants to be a builder after high school, so he can handle the arduous weekend tasks. But Bett keeps him off balance with her lack of filter and fierce gaze. Surprisingly, she shows up to work alongside him; as Beau learns more about Bett, he’s sure she’s no beast. Though their developing relationship is threatened by the consequences of a lie, dramatic events bring healing truths to light. In her YA novel, Berla (The Kitty Committee, 2018, etc.) skillfully blends a fresh retelling of “Beauty and the Beast” with insights from the #MeToo movement in a way that’s engaging, not didactic. When the tide of public opinion shifts in Bett’s favor, it’s genuinely moving. Beau also nicely models good comradeship when, for example, he challenges Khalil’s catcalling: “Okay, well just keep in mind that what’s fun for you I can one hundred percent guarantee wasn’t fun for those girls.” Beau has things to learn as well, like trusting his rich friends not to be embarrassed by his small, crowded house. Humor and drama effectively bounce off each other in Beau’s believable narration.

An entertaining YA romance with multilayered characters—a winner.

Pub Date: July 9, 2019

ISBN: N/A

Page Count: 217

Publisher: Amberjack Publishing

Review Posted Online: July 3, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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