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SEEKING RAPTURE

SCENES FROM A LIFE

Poignant glimpses into the life of a survivor.

From memoirist and novelist Harrison (The Seal Wife, 2002, etc.), a collection of personal essays on love, longing, loss, and childhood.

Having revealed her incestuous relationship with her father in The Kiss (1997), the author here explores how her life was transformed by longing for her mother, who abandoned her early to the care of her grandparents. Mom left her behind, Harrison learned, as a replacement daughter, in essence using her as a hostage to buy her own freedom. Now a parent herself, Harrison writes from a safe distance of her mother and grandmother, the two women she loved, and of her own childhood. At age six, a transcendent experience in the arms of Christian Scientist practitioner made her believe that the spirit could conquer matter and that it was within her power to transform herself into an object worthy of her remote mother’s love. From this conclusion followed such self-destructive behavior as mortification of the flesh, bulimia, and shoplifting. Harrison’s childhood and youth were lonely times when she strained to be loved and, failing that, escaped into an interior landscape of her own creation. Yet her writing also contains humor: a vivid account of her grandmother’s passion for cats and their futile attempts to breed Himalayans at home, for example, and a delightful description of their misadventures at the DMV, where she twice helped her aging grandmother cheat to get her driver’s license renewed. Scenes from Harrison’s life as an adult show her working to be the kind of mother she never knew. Some depict quiet, introspective moments as she ponders the difference between her children’s lives and her own childhood; others are fraught with anxiety as she fights to protect them from the world’s evils, though the enemy may be merely a single blood-bloated tick or an invasion of recalcitrant head lice.

Poignant glimpses into the life of a survivor.

Pub Date: May 20, 2003

ISBN: 0-375-50558-X

Page Count: 208

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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