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MAUI MURDERS

As addictive as a soap opera; a fun beach read—with a killer ending.

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A grisly, senseless murder in a city on the Hawaiian island of Maui becomes the catalyst for new friendships in this debut novel.

Paia, the windsurfing capital of the world, is a quiet little piece of paradise on Maui until an unknown psychopath slits the throats of Mr. and Mrs. Okamoto, an elderly couple who run a small grocery store. The bodies are discovered early in the morning by Annie Boone, just as a hurricane is about to strike the island. Annie and her husband, George, are a spirited, retired couple, and their house serves as a collection point for the diverse characters who are brought together by the brutal slayings. There is Dewey McMaster, who was asleep in the rain across the street from the store when the murders were committed. As it turns out, Dewey has a secret—he is a lot more than the genial windsurfer locals have come to know over the last six months. And there are Layla and Kyle Richfield, who just arrived on Maui. Layla, an independently wealthy socialite, is still recovering from the traumatic still-birth of their first baby eight months earlier. Kyle and his partner, Kim Okamoto (yes, the son of the murdered couple), were in Hawaii to be honored at a pharmaceutical convention. Add into the mix Ned and Fiona Keller (he a local, semi-retired real estate agent, she a feisty Italian decorator) and the delightful, elderly Mr. Soo. This is less a murder mystery and more a vibrant narrative about new relationships (including a love interest) that is enhanced by copious amounts of shopping, decorating, and eating. In fact, the pace is so leisurely and the focus so thoroughly on the lives of Callahan’s eclectic ensemble cast that when the murderer strikes again the following year, readers, who by now have been lulled into mild complacency, will likely be left gasping. The unadorned prose provides the details of ordinary moments of daily life but with an enjoyable, glossy overlay that allows readers to indulge vicariously in the perks of an unlimited checkbook.

As addictive as a soap opera; a fun beach read—with a killer ending.

Pub Date: Oct. 19, 2017

ISBN: 978-1-5434-5023-1

Page Count: 649

Publisher: Xlibris

Review Posted Online: Feb. 16, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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