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MAUI MURDERS

As addictive as a soap opera; a fun beach read—with a killer ending.

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A grisly, senseless murder in a city on the Hawaiian island of Maui becomes the catalyst for new friendships in this debut novel.

Paia, the windsurfing capital of the world, is a quiet little piece of paradise on Maui until an unknown psychopath slits the throats of Mr. and Mrs. Okamoto, an elderly couple who run a small grocery store. The bodies are discovered early in the morning by Annie Boone, just as a hurricane is about to strike the island. Annie and her husband, George, are a spirited, retired couple, and their house serves as a collection point for the diverse characters who are brought together by the brutal slayings. There is Dewey McMaster, who was asleep in the rain across the street from the store when the murders were committed. As it turns out, Dewey has a secret—he is a lot more than the genial windsurfer locals have come to know over the last six months. And there are Layla and Kyle Richfield, who just arrived on Maui. Layla, an independently wealthy socialite, is still recovering from the traumatic still-birth of their first baby eight months earlier. Kyle and his partner, Kim Okamoto (yes, the son of the murdered couple), were in Hawaii to be honored at a pharmaceutical convention. Add into the mix Ned and Fiona Keller (he a local, semi-retired real estate agent, she a feisty Italian decorator) and the delightful, elderly Mr. Soo. This is less a murder mystery and more a vibrant narrative about new relationships (including a love interest) that is enhanced by copious amounts of shopping, decorating, and eating. In fact, the pace is so leisurely and the focus so thoroughly on the lives of Callahan’s eclectic ensemble cast that when the murderer strikes again the following year, readers, who by now have been lulled into mild complacency, will likely be left gasping. The unadorned prose provides the details of ordinary moments of daily life but with an enjoyable, glossy overlay that allows readers to indulge vicariously in the perks of an unlimited checkbook.

As addictive as a soap opera; a fun beach read—with a killer ending.

Pub Date: Oct. 19, 2017

ISBN: 978-1-5434-5023-1

Page Count: 649

Publisher: Xlibris

Review Posted Online: Feb. 16, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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