The Sixth Sense meets Thelma and Louise.
A brief but slow-reading third outing by Hepinstall (The Absence of Nectar 2001, etc.) pits maternal love against rational thought. Mom wins.
In Ohio, a distraught man named David hires a private detective to find his missing wife Martha, traumatized since a bomb went off—killing some—at their six-year-old son Duncan’s elementary school. Unbeknownst to David, Martha has arrived at an isolated desert cave in Texas where she hopes to protect Duncan from the dangers of the world. A florist, she learned about the sanctuary from one of her clients, an old man who taught her that “loved ones don’t die on their own; we let them die. We violate some rule.” Although she loves David, Martha has left him behind because he refused to accept her increased protectiveness toward Duncan and forced her to visit a psychiatrist, who sides with him. She arrives at the cave with two months’ worth of food (an unbelievable feat in itself), plenty of candles, and a John Denver CD. With incredible ease, she settles into the primitive life, spending her days fishing, teaching Duncan to read, and swimming in a lake full of blind fish. Then a handsome stranger—the detective—shows up, bearing the chocolate bars Duncan loves. He has also assumed the first name of Martha’s father, whose death in a hit-and-run accident she feels she caused by not psychically protecting him. The detective, haunted by his own dark past, gradually wins Martha’s trust but is equally seduced by the passionate sureness of her life. By now, most readers will have realized that Duncan died in the bombing and Martha has come to the desert because there no one can stop her from believing he’s still alive. When David shows up—or does he?—things get even murkier, for Martha must choose which reality—or unreality—she wants more.
The Sixth Sense meets Thelma and Louise.Pub Date: Jan. 6, 2003
ISBN: 0-399-14936-8
Page Count: 192
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2002
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
