The Hepinstall sisters provide a fascinating glimpse into Civil War life from an unconventional perspective.
Set during the Civil War, this gender-bending novel focuses on two sisters who disguise themselves as men and join the Confederate States Army—and it’s written by two sisters.
Just a month or so after Libby Beale marries Arden Tanner, the Civil War breaks out. Arden is killed at Sharpsburg, and Libby and her older sister, Josephine, scour the battlefield to find his body. Anguished and irate, Libby vows to get revenge against the North by killing a Yankee soldier for each year of her husband’s life—21 in all. In 1862, the South is not overly scrupulous about the quality of its soldiers—if they have a rifle and are breathing, they tend to be accepted into the army—so the women have no problem joining Arden's old company, the Stonewall Jackson brigade. While Libby is ardent in her hatred and has a personal reason for revenge, Josephine is far less tied to the Southern narrative of Northern aggression and just wants to keep a watchful eye on her sister. As if living as male soldiers is not difficult enough—they have to pitch their voices lower and assume the mannerisms of battle-weary veterans—Josephine, the “plain” sister who’d never even been kissed, falls in love with Wesley Abeline, and Wesley feels himself attracted to “Joseph” as well. After the inevitable gender unmasking occurs, Wesley and Josephine/Joseph decide to run away from the war, but not so Libby/Thomas, whose sanity comes into question when she keeps hearing her dead husband’s voice urging her to kill more Yankees—and perhaps even her traitorous sister and her lover, Wesley.
The Hepinstall sisters provide a fascinating glimpse into Civil War life from an unconventional perspective.Pub Date: March 3, 2015
ISBN: 978-0-544-40000-9
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Multifaceted portraits of working women in Seoul reveal the importance of female friendships amid inequality.
A disturbing look at the unrealistic beauty standards placed on Korean women.
Cha's timely debut deftly explores the impact of impossible beauty standards and male-dominated family money on South Korean women. Kyuri, Miho, Ara, and Sujin are two sets of working-class roommates who befriend each other, and Wonna is a married woman who lives on a different floor of the same apartment complex in Seoul. All are struggling financially. As Wonna laments, "Unless you are born into a chaebol family or your parents were the fantastically lucky few who purchased land in Gangnam decades ago, you have to work and work and work for a salary that isn't even enough to buy a house...." Because of Kyuri's successful plastic surgeries, men hire her to be their companion at after-work "room salons," giving her an enviable stock of designer purses and spending money. Sujin is saving up for surgery to attain the same face as Kyuri, but Cha shows how all the women are impacted by these standards. Ara's work as a hairdresser makes her literally invested in part of the beauty industry, and even though artist Miho hopes her talent will allow her to rise on her own, she finds herself dependent on the whims of a wealthy boyfriend. At times, the voices of the many characters can blur and the timeline can be confusing. Wonna is the least developed character and interacts with the others only in a plot twist at the end of the book. However, taken together, Cha's empathetic portraits allow readers to see the impact of economic inequity, entrenched classism, and patriarchy on her hard-working characters' lives. Cha grew up in the United States, South Korea, and Hong Kong and is a former Seoul-based culture and travel editor for CNN.
Multifaceted portraits of working women in Seoul reveal the importance of female friendships amid inequality.Pub Date: April 21, 2020
ISBN: 978-0-593-12946-3
Page Count: 288
Publisher: Ballantine
Review Posted Online: Jan. 26, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Two lessons: Don’t discount a woman just because she’s made of clay, and consider your wishes carefully should you find that...
Can’t we all just get along? Perhaps yes, if we’re supernatural beings from one side or another of the Jewish-Arab divide.
In her debut novel, Wecker begins with a juicy premise: At the dawn of the 20th century, the shtetls of Europe and half of “Greater Syria” are emptying out, their residents bound for New York or Chicago or Detroit. One aspirant, “a Prussian Jew from Konin, a bustling town to the south of Danzig,” is an unpleasant sort, a bit of a bully, arrogant, unattractive, but with enough loose gelt in his pocket to commission a rabbi-without-a-portfolio to build him an idol with feet of clay—and everything else of clay, too. The rabbi, Shaalman, warns that the ensuing golem—in Wecker’s tale, The Golem—is meant to be a slave and “not for the pleasures of a bed,” but he creates her anyway. She lands in Manhattan with less destructive force than Godzilla hit Tokyo, but even so, she cuts a strange figure. So does Ahmad, another slave bottled up—literally—and shipped across the water to a New York slum called Little Syria, where a lucky Lebanese tinsmith named Boutros Arbeely rubs a magic flask in just the right way and—shazam!—the jinni (genie) appears. Ahmad is generally ticked off by events, while The Golem is burdened with the “instinct to be of use.” Naturally, their paths cross, the most unnatural of the unnaturalized citizens of Lower Manhattan—and great adventures ensue, for Shaalman is in the wings, as is a shadowy character who means no good when he catches wind of the supernatural powers to be harnessed. Wecker takes the premise and runs with it, and though her story runs on too long for what is in essence a fairy tale, she writes skillfully, nicely evoking the layers of alienness that fall upon strangers in a strange land.
Two lessons: Don’t discount a woman just because she’s made of clay, and consider your wishes carefully should you find that magic lamp.Pub Date: April 23, 2013
ISBN: 978-0-06-211083-1
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: March 30, 2013
Kirkus Reviews Issue: April 15, 2013
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