Stick with Numeroff for her if-then tales, and look to Eric Pinder and Marc Brown’s If All the Animals Came Inside and Judi...
The age-old trope of an animal following someone home is taken to new levels in this look at an otter out of water.
An otter in the water is a fascinating creature, but what if he leaves the water? What if he stays out and follows you home? Two children experience just such a thing in Wargin’s imaginative verse. A ranger finally tracks the otter to the children’s house, but will he stay away? Probably not—too much fun has been had. Unfortunately, the verse doesn’t always scan well either rhythmically or visually; the rhyming words are set in a larger font, but some are on the right-hand pages and some on the left, and often lines are split in two to fit the page layout. The result is often confusing and may trip readers up instead of helping them along. “What if the otter / remains in your house? / Would he bounce / on the chairs? / Would he skid / down the stairs? // Would he swing / on the curtains / that hang in / neat pairs? / Do you think an otter belongs in the house?” This otter is sure to remind readers of the beloved mouse from If You Give a Mouse a Cookie, but this tries too hard to rhyme, and the story gets a bit lost in the telling.
Stick with Numeroff for her if-then tales, and look to Eric Pinder and Marc Brown’s If All the Animals Came Inside and Judi Barrett’s romps for more animals-acting-like-people humor. (Picture book. 3-7)Pub Date: Feb. 2, 2014
ISBN: 978-1-58536-431-2
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
A light dose of natural history, with occasional “EWWW!” for flavor
Having surveyed worms, spiders, flies, and head lice, Gravel continues her Disgusting Critters series with a quick hop through toad fact and fancy.
The facts are briefly presented in a hand-lettered–style typeface frequently interrupted by visually emphatic interjections (“TOXIN,” “PREY,” “EWWW!”). These are, as usual, paired to simply drawn cartoons with comments and punch lines in dialogue balloons. After casting glances at the common South American ancestor of frogs and toads, and at such exotic species as the Emei mustache toad (“Hey ladies!”), Gravel focuses on the common toad, Bufo bufo. Using feminine pronouns throughout, she describes diet and egg-laying, defense mechanisms, “warts,” development from tadpole to adult, and of course how toads shed and eat their skins. Noting that global warming and habitat destruction have rendered some species endangered or extinct, she closes with a plea and, harking back to those South American origins, an image of an outsized toad, arm in arm with a dark-skinned lad (in a track suit), waving goodbye: “Hasta la vista!”
A light dose of natural history, with occasional “EWWW!” for flavor . (Informational picture book. 5-7)Pub Date: July 5, 2016
ISBN: 978-1-77049-667-5
Page Count: 32
Publisher: Tundra Books
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
The book is available in just about every format--but this is the perfect one.
It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.
In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.
The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)Pub Date: Sept. 13, 2011
ISBN: 978-0-7636-5378-1
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 21, 2020
Kirkus Reviews Issue: Nov. 1, 2011
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