A racy and sometimes witty romp through New York's yuppieland, a nasty urban jungle where making connections both sexual and professional is the only way to go. Deliberately imitating 18th-century comedies of manners—with connections between characters multiplying into a confused tangle of deceits, dalliances, and desires that don't get unraveled until the last page—Spiegelman tells of two couples, Dawn and Hank, and Kath and Jack. The couples' happiness is thwarted and deferred by a slew of colorful characters, including Chris, the designing woman with the heart of a cash register; Mike, a sentimental transvestite; Marco, an office temp who's ashamed of the source of his real income; and Andy, a fitness-freak who gets around a surprising amount. Dawn, an editor, has been abandoned by Hank, who was seduced by Chris, but Hank, finding Chris increasingly tiresome, wants to get back with Dawn. And he does—briefly—but Dawn is editing a book by Mike, who owns a notorious transvestite escort service, that could make her publishing career; and Hank is representing Mike in a case that could make his legal career. With more than the usual conflict of interest involved, the two—Dawn and Hank—quarrel and part. Meanwhile, Kath, Dawn's friend, has been so busy writing her thesis that she's had no time for relationships, but this changes when she meets handsome Jack, a scenery builder who loves her but can't commit. Over a year, the couples, who always remember to use condoms because safe sex seems about the only thing to believe in, drift into other relationships. But true love is vindicated when predictably serendipitous coincidences get Dawn and Hank—and Kath and Jack—back together again at last. A neat idea that almost works, but Spiegelman's prose is too clunky for a genre so dependent on flights of verbal virtuosity. More flat than fizzy.
Pub Date: May 30, 1993
ISBN: 0-7145-2952-4
Page Count: 240
Publisher: Marion Boyars
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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