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AND THE COW SAID

Interactive fun, on a certain elemental level—but there are apps aplenty with more and better noises as well as animation to...

One uninvited animal guest after another drives a farmer out of his house in this noisy nighttime romp.

Poor Farmer Bill is just about to go to bed on a rainy night when there’s a knock at the door. “He opened it up, and a head peeked through. / It was a cow, and the cow said…MOO!” The cow is only the first in a line of livestock that troops in, one at a time, or lurks in wait outside to bleat, squeak, bark, or utter some other characteristic call at the (firm) press of a white spot on each animal’s body. The chip embedded in the rear cover having no fewer than 10 separate sounds programmed in, Farmer Bill finds no rest—not even up on the roof, where a rooster waits to “bellow” its morning greeting as the sun comes up on a climactic animal chorus. The noises are more familiar (and less gross) than in the similarly polyphonic Ten Monsters in the Bed (2015), which some at least may see as a good thing, but on the final page the contact spots are both unmarked and mostly not located where the animals are. Hearing the farm creatures sound off again will require pressing at random and hoping for a result. On the other hand, the chip’s battery is replaceable, so this is less ephemeral than others of its sort.

Interactive fun, on a certain elemental level—but there are apps aplenty with more and better noises as well as animation to go along with the audio. (Novelty picture book. 3-5)

Pub Date: Aug. 4, 2015

ISBN: 978-1-4998-0101-9

Page Count: 24

Publisher: Little Bee Books

Review Posted Online: Aug. 8, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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DAD

A powerful affirmation for all dads—the good, the flawed, and those doing the best they can.

Dedicating his latest to “caregivers who give what they never got,” Caldecott Honor winner Robinson explores complicated feelings around fatherhood.

From the outset, the book appears to be a standard-issue Father’s Day offering, pairing brief, loving sentiments with images of animals. But it soon becomes clear that Robinson has crafted something much more complex. A frog with tadpoles nestled atop his back (“Dad is here”) is followed by an illustration of an owl leaving the nest (“Dad had to go away”). More contrasts are presented: a seahorse keeping his offspring safe in his pouch (“Dad holds on tight”), two shark pups swimming away from their frenzied-looking patriarch (“Dad need lots of space”). “Dad lets you down and makes mistakes” (a porcupine accidentally jabs his little one), but “Dad picks you up and makes you feel safe” (a lion snuggles his cub). And the human fathers we meet next—diverse in skin tone and ability—are equally multifaceted. Robinson outdoes himself, his bold and richly textured paint and collage artwork popping against the background. His artwork is rife with subtleties for careful readers—for instance, the look of uncertainty in the eyes of the gorilla father described as “strong.” For all its simplicity, this colorful book is laden with meaning, depicting fathers as vulnerable, imperfect, gentle, and empathetic—in a word, deeply human.

A powerful affirmation for all dads—the good, the flawed, and those doing the best they can. (more information on the animals presented) (Picture book. 3-5)

Pub Date: May 12, 2026

ISBN: 9781250397041

Page Count: 48

Publisher: Balzer + Bray

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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